Ralph Tathagata was born in Obiohia-Bende, Abia State. He lives in Lagos. He is poet, a writer, a journalist, a photographer, a culture activist and a former general secretary for Association of Nigerian Authors (ANA), Lagos State.
Ralph is convinced that the core of his poetry is to create works, ready to respond and stand the test of disastrous times.
Sydney Fiifi Sam is a Ghanaian undergrad studying Human Resource Management at the University of Ghana, Legon.
He is the co-founder of Trademarkers Inc.; a network that develops business concepts designed to uplift talent and entrepreneurship. He is also the program co-ordinator for Moonlight Cafe, a poetry,comedy and live music show that runs in University campuses around the country.
Shabbir Banoobhai’s poetry is spiritual, political and personal with the three themes interwoven, the personal poems often having a political dimension and the political, a spiritual. A child of parents who came to South Africa from India, he was born in Durban in 1949, where he lived for most of his life until he moved to Cape Town in 1995. He Of necessity he shared the fate of the larger black community of South Africans, his poetry reflecting that struggle. He qualified as a teacher in 1970, as a Chartered Accountant in 1978, and as a Chartered Management Accountant in 1983. Lectured at the University of Durban-Westville from mid 1977 to the end of 1982; ran a management consultancy practice in Durban from 1983 to 1995; and joined Old Mutual in Cape Town in January 1996.
Retired in November 2005; and is now a full-time writer. Some of his works, in full, include: echoes of my other self; shadows of a sun-darkened land; inward moon outward sun; if i could write: Ramadan letters that can be read at Christmas or on any other day; and lyrics in paradise. He is the recipient of the Thomas Pringle Award for Poetry. What is particularly striking about his poetry is its complete sincerity, described as, “a luminous work of the heart containing profound reflections on the nature of the Divine, Prophetic and human consciousness, love, justice, peace and war. A genuine and original Sufi primer for the 21st-century seeker, reflecting an important development in contemporary ‘South African spiritual thought'”.
Sandile Dikeni was born in Victoria West in 1966. He studied at the University of the Western Cape where he served on the SRC. He began writing seriously while in detention in 1986, and was a popular performer at political rallies and community cultural events. Since the coming of democracy, he has worked as a journalist and political commentator. In addition to Planting Water, he has published two previous collections of poetry, Guava Juice (1992) and Telegraph to the Sky (2002), as well as a collection of his articles featured in the Cape Times, titled Soul Fire: Writing the Transition (2002).
Sandhya was born on the North Coast of Kwa-Zulu Natal in 1987. She grew up in the quaint village of Seatides which is situated along the sugar-cane belt of the Tongaat district. As a child her irrepressible curiosity often resulted in painful consequences. She was not content with the banal knowledge that the switch turns on the light. No. She had to know how hot the bulb actually burnt. Fortunately this precocious, mischievous mind was soon harnessed by the creative outlets of poetry and short story writing. She matriculated from Seatides Combined School at the age of 16. After working an assortment of part-time jobs she moved to Cape Town to complete a diploma in Audio Engineering at the Cape Audio College. Since then Sandhya has completed a B.A. (Hons) degree in English Language and Literature Studies at the University of Cape Town.
She has always written poetry, sometimes in secret, sometimes for the amusement of friends and family. Most often her cautious, quiet scribblings were the cathartic, emotional outpourings borne of personal trauma or victory. Now she writes outside of herself. Some of these latest poems form a triptych of sorts which probe and subvert idiosyncratic aspects of diasporic Indian culture. Persistent themes in these pieces include: the patriarchal appropriation of Hindu scriptural teachings, the conflation of fear and respect by young ones” towards “their elders”, and finally the preoccupation with masking familial discord and domestic abuse in order to keep up appearances within one’s community.
Sandhya currently plans to forge links with local NGOs that share her vision for equitable access to tertiary education across the nation’s polarised socio-economic landscape.
Zimbabwean poet SoProfound started performing poetry in 2009 but became active in the poetry circles in 2010. He has shared his work at events such as the House of Hunger Poetry Slam Zimbabwe, Mashoko! (The spoken word and hip-hop event hosted by Magamba), House of Hunger Poetry Slam South Africa, The Experience (nu-verb), Poetry and Music (part of the poetry and… series).
Sitawa Namwalie is a poet, writer and performer interested in how Africans are defining themselves in today’s world. In writing she finds her expression. In 2008 her first dramatised poetry show by the name Cut Off My Tongue was successfully performed in different venues in Nairobi. In 2009, her first book of poetry, Cut Off My Tongue was published. Later the same year, the show was performed at the prestigious Hay Festival in the UK. And in 2012 it was performed in Uganda. She was nominated for the Freedom to Create Prize in 2010 for the courage and positive social influence of her poetry.
In 2011, her second show of dramatised poetry called Homecoming was performed in Nairobi to rave reviews. In April 2012 Cut off my Tongue was selected by TED Talks on a global search for the new and undiscovered as a performance worth spreading.
Sitawa has worked in the development sector for many years with NGOs and with UNDP, USAID and IUCN. She holds a Bachelor of Science degree in Botany and Zoology from the University of Nairobi and a Master of Arts degree in Environment, Society and Technology from Clark University in Massachusetts, USA. She works as a development consultant in the areas of environment, gender and governance.
Sitawa has achieved excellence in many areas of life, including representing Kenya in tennis and hockey in her youth. She is a mother of three gorgeous children and is married to a man of rare generosity.
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Shunshine, born Nonjabulo Tshabalala, is a Kwa-Zulu Natal(KZN) born poet, who now resides in Cape Town.
She moved to Cape Town after high school, to study Fashion Design. It was during those years that she started attending open-mic sessions, and had her first taste of the stage.
Since then, she has worked with many artists, and performed in many shows between KZN and Cape Town. She has also helped to organize a handful of events, in order to create platforms for other upcoming artists.
In KZN, she has worked with artists such as Raheem, Lexikon, Moonchild, Tumelo Khoza, Busiswa Gqulu, Thando Ngcobo and Siyabonga Skhakhane. She has performed at DUT’s Pour-A-Tree Sessions and Nowadays Poets. She was also a part of Poppunut’s ‘Sounds 031’ Women’s Edition Project in 2009.
In Cape Town, she has worked with Bulelwa Basse of the Lyrical Base Project, City at Peace, Dejavu, Uzinzo, and is a part of the Black Ink Arts Movement, based in Du Noon, Milnerton.
In 2009, she recorded and released an album titled My Space, which was quite successful considering that it was released independently. Since then, she has been featured in albums and songs by other artists.
Since her return to Cape Town in 2013, she has worked with Radikal Xpression, Sounds of The South (SOS), 4D Multimedia, and an Observatory based monthly session known as Poetics ‘music not for the sake of it’.
In 2013, one of her poems, I bargain with the mist, was published in the Sol Plaatje European Union Vol III Poetry Anthology.
As someone who has a hip hop background, and a general love for music, Nonjabulo sometimes blends her poetry with musical sounds. She loves experimenting with different writing styles.
She is inspired by love and life. She writes because it heals her, and shares it because she believes that it has the potential of healing other people.
She is driven by her great interest in spirituality, and quest to spread positivity across the dividing lines of culture, race and religion. She believes that we are all from the same source.
“When we learn to love our stormy days
as much as easy breezes;
there’s always something beautiful
for us to sink our souls in.” – Shunshine
Kenyan poet SHAILJA PATEL was trained as a political economist, accountant and yoga teacher. She honed her poetic skills in performances that have received standing ovations on four continents.
Her US publishing debut, Migritude, based on her acclaimed one-woman show, went to #1 on Amazon’s bestsellers in Asian Poetry, and was a Seattle Times bestseller – extremely rare for a poetry collection.
Patel has been African Guest Writer at Sweden’s Nordic Africa Institute and poet-in-residence at the Tallberg Forum, Sweden’s alternative to Davos. She has appeared on the BBC World Service, NPR and Al-Jazeera. Her work has been translated into 16 languages. Honours include a Sundance Theatre Fellowship, a Creation Fund Award from the National Performance Network, the Fanny-Ann Eddy Poetry Award from IRN-Africa, the Voices of Our NationsPoetry Award, a Lambda Slam Championship, and the Outwrite Poetry Prize.
Patel is a founding member of Kenyans For Peace, Truth and Justice, a civil society coalition which works for an equitable democracy in Kenya. In 2011, the African Women’s Development Fund named her one of Fifty Inspirational African Feminists for the 100th anniversary of International Women’s Day, ELLE India Magazine selected her as one of its 25 New Guard Influencers, and Poetry Africa honored her as Letters To Dennis Poet, continuing the legacy of renowned poet-activist Dennis Brutus.
Sello Daniel Maputle is a poet based in Thaba Nchu in the Free State. He started writing poetry in 2003 when he joined a writing group called Untitled Poets in his hometown. The highlight of his career is when he performed at the Macufe Wordfest.
Scott Woods has published work in a variety of publications, and has been featured multiple times in national press, including multiple appearances on National Public Radio.
He was the President of Poetry Slam Inc. and MCs the Writers’ Block Poetry Night, an open mic series in Columbus, Ohio. In April of 2006 he became the first poet to ever complete a 24-hour solo poetry reading, a feat he has bested every year since by performing without repeating a single poem. His first full-length collection of work is We Over here Now.
Sanele Sithole is a passionate poet from Kwa-Zulu Natal (KZN), South Africa. Although he’s been writing since the age of 15 his very first performance was in 2011 in Pietermarizburg in KZN. Since then he has performed on many stages across his province. He looks forward to sharing his work with international audiences outside of his province.
Samo is a poet based in Nairobi Kenya. He frequents the Slam Africa competition held in Nairobi. He is publicly known as “rabid dog in a suit” because he is one who is not big on photos and bios.
Queen Lariuskus, aka, Lara Mondlane is a Mozambican born poet, photographer and film professional. She moulded herself and her passions in the course of her travels around the world, particularly whilst living in London, and Cape Town. In Cape Town, Queen Lariuskus formed the group LAGAMA, together with Gabriela and Marina, two close friends. They performed live in various spots in Cape Town and brought the project to Maputo.
Now back in Maputo for an indefinite time, Queen has been involved in promoting various artists and cultural events. Recently, she worked as a continuity supervisor in prize winning Short Films produced by Mahla Filmes for Nweti-Communication for Health (an affiliate of SOUL CITY INSTITITUTE). Queen has chosen cinema and photography to express what she often would say in words and is enjoying the ride.
Tswarelo Mothobe h.t.b.k.a (Happy To Be Known As) A Scribe Called Tswa is a Bulawayo born and based writer, dramatist and poet.
He has graced the Mlom’Wakho Poetry Slam Stage, The House of Hunger Poetry slam, major local festivals like HIFA, Intwasa, Shoko & Ibumba Arts Festivals and has performed at SANAA in South Africa.
He has also facilitated various writing and performance workshops with school children over the years resulting in new generations of poets being born in Bulawayo. Currently hosting Mlom’Wakho Poetry Slam every month, he is working on his 1st poetry and music project with the working title, Remember and has written and is directing a series of plays.
Tshegofatso Sebitloane better known as “Maikutlo” is a singer, writer and poet from the capital city of the North West in Mafikeng. Poetry and word expression has been and is still a large part of her life. Maikutlo started exploring her passion for poetry and word expression six years ago through the talent development and nurturing programme called Expressions under Lyv Promotions created by Tolamoetlile Kgobokoe aimed at nurturing up and coming artists from all art disciplines. This platform launched her artistic career.
WORKS TO DATE
* In 2007 she worked on Nite of Words – Blood Love which was a Poetry Showcase which went to Grahamstown Arts Festival and later showcased in Mmabana theatre in Mafikeng. The production directed by Modise Ngwato had fresh dose of poetry, comprising of music and writing skills.
* 2008- North west finalist in the Lentswe Poetry Competition
* 2009- featured in Molemi’s Motzamai- Rebel without a pause album under lyv Records track 10 titled Maikutlo A re www.lyv.co.za
* 2010- Performed at the 30th celebration of the North West University Gala dinner with special guests like the Rector Professor Dan Kgwadi and the Alumni of the University from previous years.
* 2011-Took part in the Africa Celebration on the Mmabana Park hosted by the Rastafarian Movement in Mafikeng
* Part of a stage theatre play held in the North West University directed by Kgafela oa Magogodi
* 30 October 2011- Featured in show by Botswana Folklore Artist- Ntirelang Berman hosted at the Mmabana theatre
* 2011- Performed at the Cheese and Wine event hosted by the North West FM radio station
* 4 December 2011- took part as one of the performers in the Art resolve weekend sharing the stage with live performances by Molemi, Quincy K, Kgafela oa Magogodi and Marabele, Mpho ya Badimo former radio presenter of the reggae Show- Moribo wa Raggae.
* 2011- Seta year Closing Gala dinner booked by The Department of Sports Arts and Culture in Mooifoniten
* 13 February 2011- performed at Public Internet Access and Visual impaired library launch- dsac in- Mmabana Taung grounds
* Currently holds the position of vice chairperson of a poetry Group based in the North West University Campus by the name of 5th Groove.
Troydon Wainwright started writing in his late teens to compensate for his dyslexia. Since words were his weakness, he figured, he would work on them until they became his strength.
He’s written a novel that he is currently seeking publication for and a bunch of short stories. He hopes in time to become a professional writer. At present, he works as a facilitator to a disabled student.
He also reads his own poems at various open mic poetry events around Cape Town.
Awards:
1st in Easter Province Inter Schools Sign Writing Contest 1995
3rd SFSA’s Nova Short Story Contest 2009
Runner up in ZigZag’s Surf Magazine’s Reader’s Story 2011
Toni Stuart is a poetry writer, performer and developer. Her poetry has been published in numerous anthologies including The Ground’s Ear (Quickfox Publishing, 2011) and Agenda Journal on Teenage Fertility and Desire (Unisa Press and Routledge, 2011).
As a performer she was part of And the Word Was Woman Ensemble, from 2004 – 2007, with Malika Ndlovu and the 2010 Ingrid Jonker Prize winner Tania van Schalkwyk among others. She has performed locally and internationally, at numerous events including Urban Voices International Poetry Festival in 2010, Bridgewater International Poetry Festival in 2013, and alongside UK poet Lemn Sissay in 2012. Her work uses poetry to interrogate a range of social issues such as the stories of place and displacement (The Calllings Performance as part of GIPCA’ Exuberance Project, Emancipation Day Commemoration at Reminiscence Theatre Festival), HIV/Aids (commission of Breath and Blood for University of Cape Town) and gender-based violence (Woman.Object.Corpse exhibition for Centre for African Studies, UCT).
She is the curator of Poetica, at Open Book Festival 2013 and runs The Silence That Words Come From – writing workshops that enable people to explore their own voice.
In 2013, she was named in the Mail and Guardian’s list of 200 Inspiring Young South Africans for her work in co-founding I Am Somebody! – an NGO that uses storytelling and youth development to build integrated communities.
Tina Mucavele is a young Mozambican woman, social activist, writer and a mother of one son. She lives in Maputo, Mozambique, after living in Johannesburg for most of her adolescence and early adulthood.
Her day job is with rural civil society movements, in an attempt to raise consciousness and provide skills for political participation, monitoring of state budgets and quality of social services. In the city, she works with poets and musicians, and is part of the SEM CRITICA MOVEMENT, a performance space created for free artistic expression.
Tina’s poems and short stories are in the editing process, and she hopes to publish a collection of short stories by the end of 2011. Her travels around the African continent, Europe and South America have turned her into a strong Pan-African Citizen, and she loves and advocates for an eclectic African Identity. Tina began seriously writing her poetry in English, given the strong influence of English speaking authors such as Ama Ata Aidoo, Ben Okri, Alice Walker, Ngugi Wa Thiongo amongst other African writers.
However, coming back to Mozambique forced her to learn the Portuguese language as a tool to tell the stories that follow her around like friendly ghosts!
The Mighty Third Rail, aside from being a clever riff on that special rail on the train tracks that will shock the ish out of you, and aside from being a metaphor in politics to avoid controversial issues, is also a three man trio that mixes the elements of Hip Hop, poetry, beat-boxing, violin and bass. From poetry cafes to colleges to concert halls, whether it’s jamming at the legendary Nuyorican Poets Cafe, Joe’s Pub, The Brooklyn Academy of Music, or performing at the prestigious Lincoln Center , The Mighty Third Rail undoubtedly delivers.
Featuring the dashing Darian Dauchan on vocals, the indelible Ian Baggette on bass, and the courteous Curtis Stewart on violin. With daring vocals, booming basslines and a vivacious violin, this bold, urban collective creates politically challenging works that push the boundaries of Jazz and Hip Hop to define the next generation’s voice.
Tanisha Bhana is a contemporary South African visual artist, poet and an established attorney in the financial services industry of South Africa.
She is a visual art finalist of the Thami Mnyele competition and a winner of the Lovell Gallery National Art competition in 2011.
She has displayed artwork from the ‘Transience’ portfolio for the Economic and Infrastructural Development Conference in Johannesburg (April 2012) and delivered a speech and poetry reading at the Climate Leadership Programme, sponsored by the German Development Corporation, at Rustenberg, South Africa, (May 2012).
Inspired by the desire to contribute towards the growth of a society which is free from historical constraints and fear-based conditioning, Tanisha expresses the freedom to explore authentic dreams towards achieving a shifting human potential.
Mentored by Gordon Froud (Senior Lecturer, Curator and Judge, University of Johannesburg) and Les Cohn (Managing Director, ArtSource South Africa) her work is a celebration of the values of freedom of expression and has the potential to be a conduit of change by sharing a unique visual and poetic perspective, recording our human trail and aiding in perceiving different possibilities.
Born and bred in Nigeria, Bethel .C. Simeon, a singer, a songwriter, and a preacher, describes himself as “an amalgamation of divers treasures that will retain the stamp of immortality until the call of purpose has been fully answered”.
He earnestly strives to pull down the heinous walls of unacceptable manifestations while entrenching the pillars that aid the actualization of destiny.
B.C. Simeon, a trained journalist and a law student at the University of South Africa, presently resides in Cape Town. He has performed on the church platform to an audience peopled mainly by the youth. He is compiling his first anthology.
Trudy grew up in Lusaka, Zambia in a culturally mixed household and moved back to Nairobi during Kenya’s move into a multiparty state which fueled her patriotic spirit. Her love for the arts, dance, painting, writing and stage performance in her formative years was key in shaping her world-view and she is intrinsically a seeker, a lover of God, truth, authenticity and inspiration.
She holds a BA in Communications from Daystar University.
Changing Winds is her first title about observations, angst and hope.
Tinashe Tafirenyika is currently a student at the University of Zimbabwe studying Medical Laboratory Sciences. She is one of the newest spoken word artists in Zimbabwe having stepped onto the scene less than a year ago. A regular at the House of Hunger Poetry Slam and Sistaz Open Mic sessions at the Book Café. She has already been the “Luckiest Poet” five times in a row a feat that saw her performing at the Shoko Slam in September, 2013. In November Tinashe travelled to perform at the Word N Sound Festival in Johannesburg.
He is a performing poet, actor, writer, based in Harare, Zimbabwe. His poems appear in the following anthologies, Jakwara reNhetembo (2008), State of the Nation: Contemporary Zimbabwean Poetry (2009), War Against War (2010), Visions of Motherland (2010), Daybreak (2010), Defiled Sacredness (2010), Mudengu Munei (2010) and several international journals and magazine.
He also contributes to Writers International Network Zimbabwe blogspot under the column, ‘The Regular Writer’, Wealth of Ideas and Izimbabwe. He featured in the following films: Tanyaradzwa, I want A Wedding Dress, NyamiNyami and the evil eggs, Playing Warriors, The Husband, and it the following Television dramas: Suburb D, New Dawn, and Tiriparwendo. He performed poetry at platforms such as NGO events, Harare International Festival of the Arts, Intwasa Arts Festival koBulawayo, Dzimbahwe Arts Festival, Chimanimani Arts Festival, Arts Alive International Johannesburg, SADC Poetry Festival in Botswana among others.
New York spoken word artist and performance poet, Tantra-Zawadi’s rousing poetry has established her as a force in the genre. Her work has been extensively published and televised and her numerous stage performances include the iconic Nuyorican Poets’. For Tantra-Zawadi poetry is “breathing, walking, doing, loving and awakening – limitless in its ability to reach across genres and varying walks of life”.
Tania van Schalkwyk is the hybrid of a Hamburg sailor and a Mauritian artist, born in Africa, raised in Arabia and matured in Europe. She has studied, taught, edited, served tea, busked, sold useless things, given famous statues make-overs and even tried (and failed fabulously at) a couple of less interesting but ‘serious’ jobs. She has published, performed, exhibited , directed, curated & collaborated on various multi-media artworks across the globe with a sculptor, a choreographer, a carpenter, DJs, photographers, film makers, artists, dancers, musicians,scientists, poets, famous statues, cows, horses, turkeys, sheep and her dog Elvis ; read and performed in theatres, bars, bookstores and bathtubs around the world; written columns, scripts, shopping lists, love letters and once upon a wonder-full time– food reviews.
Tania holds an MA in Creative Writing from UCT and a natural ability to watch the day go by. She is a proud founding member of SEWS (The Society for the Erection of Women Statues). When she’s not writing, Tania reads and reads and reads, and engages in the gentle art of omphaloskepsis. Her work is inspired by the places and spaces in between, the hyphen-states of life, love and home. She currently lives between Cape Town and the Piketberg mountains.
UCT Writers’ Series recently published Tania’s first book of poems, Hyphen. Her poetry has appeared in the following publications: UK: Agenda, Orbis, Decode, South, Focus on Farmers Anthology ( Aune Head Arts),Citizen 32, Intellect Quarterly South Africa: New Contrast, Carapace, Green Dragon, Ons Klyntji, Laugh it Off Annual Online: Triplopia, Muse Apprentice Guild, Itch, Litnet, Unlikely 2.0, Incwadi.
T.J. Anderson III is an associate professor of English at Hollins University and was former Fulbright Scholar in Cairo, Egypt. His poetry has been published in the Sarasota Review of Poetry, Sulfur, lift, Callaloo, and Indiana Review. He is the author of At Last Round Up (lift books, 1996) and River to Cross (The Backwaters Press, 2009) and a critical book on jazz poetry Notes to Make the Sound Come Right: Four Innovators of Jazz Poetry was published in 2004 by University of Arkansas Press.
Uche Uwadinachi also called Flames – Priest of poetry, is a spoken word artist and the author of poetry collection SCAR in the HEART of pain and it’s Spoken Word audio Album.
He is the winner of ANA Lagos (Association of Nigerian Authors) Poetry Performance Festival Prize 2006 and Pakistan June ‘Poetrycraze’ contest 2009. 2nd Prize Poetry Winner of Ken Saro-Wiwa Contest, USA 2010, won the June Loudthotz Poetry contest 2011 and directed the overall winning Poetry performance of district 5 Education Board for the Lagos State Jam Feast Competition 2011, his poems have been published in the ‘Lime Jewel’ collection-London 2010 and other publications. His poetry performances has been seen on Bookshelves-LTV8, 9ja TV, Tinapa Trade Expo 2008, Lagos State Trade Fair EKO-EXPO 20011, Wordslam 1,2,3 & 4, Poetry Potter, Potters Lounge, Anthill, Pen Society among others, presently, he is an independent television presenter with Konto Music and works towards his new spoken-word-rap album titled E’FI MI LE’ joo’or.
Unathi Slasha under the nom de plume ‘Dark-blood the bard’ is a spoken word artist, performer, literature enthusiast, poet, short story writer born in 1989, emerging from a small township named Dispatch in the Nelson Mandela Bay, infamous of its extremely high rate of illiteracy and dearth of artistic activism. A glimmer of hope carried out by this well-read young man determined to be a positive model and a trendsetter among his peers and set a perfect example for the up-and-coming young people in his community through performance art, with an undisputed aptitude.
His love for performance poetry commenced when he got introduced to poetry sessions by a friend who was a poet. From there, he got influenced and imbued with passion to start writing. He consistently contains an influential and enticing manipulation of words, with a flawless poetry and a unique phraseology and diction. On stage he is known for his spirited and energetic delivery and controversial style that comes out as a blend of street style yet literary poetry that involves socio political issues and historic events that tend to take any audience aback.His love for African literature is evidenced by the allusions and complex metaphors and intertextuality prevalent in most of his poetry – spoken word.
He aims at using his writings as an apparatus to inform and to instigate social reforms: to individuals who wish to be products of change in the society at large: he creates a personal pressure that frog-march them to do research about their identities and roots. Since he commenced his journey of performances and circulation around the different parts of the Eastern Cape, KZN and in the Western Cape, he has been receiving respect and love from each and every single person that has witnessed his pure talent and energy on stage.
One of his short stories and a few of his analytical poems have been published in an annual literary Journal called Ntinga, and as well as in the publication called Expressions within both of these publications were/are initiatives of arts and culture and the Nelson Mandela Metropolitan University’s department of language and literature. During the operation of the 2013 Africa Cup of Nations, when some of the matches where held in PE, he was one of the performers that kept the crowd intrigued with his revolutionary and unconventional poetry at the PE Opera House theatre.
He has performed in East London at one of the most prominent platforms known as the Soul Clap Sessions organized and hosted by Ipoetry KaNkqo. The Bard was one of the indelible artists that had an outstanding theatrical performance at the annual Grassroots Arts Festival held in Motherwell. He was one of the four first PE artists to make an appearance in the yearly Hip-hop event – The Final Touchdown in Alice. The bard has performed as a guest poet at the Love Life Music is Life mini Festival that was held In Uitenhage at Willow Dam in 2013. In 2012 he was one of the poets that were chosen to facilitate and demonstrate spoken word to high school pupils during the poetry workshops that were held in September during the National Book week at the Red Location Museum in New Brighton. The Bard has performed at the 2013 Nelson Mandela Bay Book fair that had the likes of Ntsiki Mazwai, Don Mattera, Lesego Rampolokeng, Niq Mhlongo, Motsoko Pheko, Ayanda Billie and other remarkable renowned authors and poets.
He has also co-founded NMMU’s foremost spoken word and poetry society called the Resonance Poetry Movement, along with Sisonke Papu and Azola Dayile – which they have successfully managed to launch.
He has also worked with the NMMU International Office and the Centre for the Advancement of non-Racialism and Democracy (CANRAD) in the NMMU Africa Week in a public lecture delivered by Prof. James Ogude (University of Pretoria) in remembrance of the late Chinua Achebe and his impact on the African literature landscape. He has been featured as a one of the performers at the first ever two days poetry festival in the Nelson Mandela Bay: Praat Poetry Festival, which hosted Lebo Mashile and Lesego Rampolokeng as guest poets.
He is a regular performance poet at the Elements of Hip-hop sessions that are monthly held in Motherwell and at the Culture Consciousness weekly sessions. He was once headlined at the PE Opera House YiYo (An Opera house initiative that focuses on solo artists granting them a platform for discussion, performance and constructive criticism on their respective art forms.)
Every single person who claims to love poetry and is an art enthusiast is obliged to show respect to the craft of this young wordsmith as he continues to make major moves. He believes to be the embodiment and the rhetorical speaker for the neglected poor through his spoken word that he enthusiastically utters.