Nana Korantema Hanson is an actress, a writer (poetry, anecdotal essays, and novel), blogger, television presenter, and an entertainment journalist based in Ghana.
Nana Korantema Hanson
Nana Korantema Hanson is an actress, a writer (poetry, anecdotal essays, and novel), blogger, television presenter, and an entertainment journalist based in Ghana.
Khadijah Ibrahiim is of Jamaican parentage, born in the city of Leeds, England. Educated at the University of Leeds; she has a MA in Theatre Studies. She is the Artistic Director of Leeds Young Authors and the Producer of Leeds Youth poetry Slam festival. Peepal Tree press published her poetry collection Rootz Runnin in 2008 that same year she toured the USA with the Fwords Creative Freedom writers. As a delegate for the Art Council England (Yorkshire) she attended Calabash International Literature Festival in Jamaica. She became one of the first international writers to attend the El Gouna Writers Residency in Egypt, 2010.
She was a member the advisory group that organized some of the events, which marked the visit of Dr Nelson Mandela to the City of Leeds. Hailed as one of Yorkshire’s ‘most prolific’ poets by BBC Radio, she continues to make various stage appearances across Britain, the USA, the Caribbean and Africa. Peepal Tree Press will publish her latest collection of poems later this year
Kenneth Ibegwam was born in Owerri, Nigeria, and grew up in Lagos Nigeria. A graduate of Imo State University, he generally considers himself a “reader of books” still trying to understand the rudiments of graduate school. He lives in Maryland.
Kerry Hammerton has published poetry in various South African and UK literary journals. Some of her poems were included in the anthology Difficult to Explain (Finuala Dowling ed.) and Africa, My Africa (Patricia Schonstein ed.). These are the lies I told you, her debut poetry collection, was published by Modjaji Books in 2010.
Odongo Kennedy Leakey, known in the entertainment industry as Kennet B, started writing spoken word poetry 14 years ago. He began performing actively in early 2009 after winning the Slam Africa Poetry Championship founded by Imani Womera of Imani Inc. Prior to this, he had recorded his first spoken word poetry single Reality Absurdity, the video for which is forthcoming. Driven by the global concern about HIV and AIDS, his lyrics are majorly pegged on the social issues that are responsible for the spread of the virus.
He has four albums on the table; Coming of Age, a seven track pure spoken word poetry album , Success a 15 track musical-poetry album, Cheka na Kennet, and Refugee.
Currently Kennet is working on a short stories compilation The Sheng Anthology vol 1. This is a collection of conflict-laden social narratives aimed at impacting the repeated emphatic distress felt when a favorite character is seen in imminent danger. This often enhances the enjoyment of the stories and one sees the resolution of the threat (HIV&AIDS) as the narratives unfold.
The work of Paarl born poet and publicist, Loftus Marais is visual and ironic, rebelling against a traditional Afrikaans poetry, while also acknowledging the handed-down Afrikaans belief in the poet as craftsman, in the importance of formal, structural and musical elements. This makes his poetry a complex modulation of a voice that is both lyrical and bitter, sombre and comical, nostalgic and ultra-contemporary. After being published in several anthologies, his debut collection of poems, Staan in die algemeen nader aan vensters, was published to high acclaim.
Lolani Kalu is a veteran Kenyan journalists, multi-linguist, musician, actor and comedian and Swahili poet. As a Journalist he has had a rare opportunity of interacting with Kenya’s diverse and rich arts and culture.
Lolani is the founder of Safari47.org, which was established as a way to identify, nurture and develop raw talent identified in 47 counties of Kenya.
Liesl Jobson is a Cape Town writer, musician and photographer. Her poetry and prose has appeared in various journals and anthologies in South Africa and internationally. She edits Poetry International, South Africa and teaches poetry online at the SA Writers College. She works for BOOK SA, as a literary journalist, where she also blogs periodically. She is the author of 100 Papers, a collection of prose poems and flash fiction, and View from an Escalator, a book of poems, both published by Botsotso.
Odia Ofeimun, poet, polemicist and polymath was born in Iruekpen-Ekuma, Edo State, Nigeria, on March 16th 1950. The author of ten significant volumes of poetry, Mr. Ofeimun has also published two books of political essays, four books on cultural politics as well as editing two anthologies of Nigerian poetry.
Widely anthologized and translated into many world languages, Mr. Ofeimun has read and performed his poetry in several countries of the world including Ghana, South Africa, Ethiopia, India, South Korea, Columbia, Germany, Israel, Great Britain, China, the United States of America, Venezuela, Mexico, Cuba, Sweden, Italy and Cuba.
At home in Nigeria, Mr. Ofeimun’s practice of journalism, spanning the years of military tyranny, has inspired a whole generation of journalists in print and electronic media. The principled stand of Mr. Ofeimun came at the price of random invasion of his residence, seizure of his manuscripts, computer discs and Nigerian Passport to deny him freedom of movement. Undeterred, and while practicing probably the most dangerous vocation of all at the time, Mr. Ofeimun served the Association of Nigerian Authors as General Secretary and President respectively. He has been designated advisor to PEN Nigeria Centre and is a founding member of the Pan African Writers Association.
Mr. Ofeimun is the recipient of many awards the latest of which is the prestigious Fonlon-Nichols Award for literary excellence and propagation of Human Rights which was conferred on him by the African Literature Association in 2010. In a literary career spanning four decades, Mr. Ofeimun has distinguished himself with poetry and essays which challenge both the imagination and the intellect, crossing cultural borders and establishing new benchmarks in the articulation of the African narrative. His essays are valued both for knowledge and analysis, for what to know and for how to think about what is known.
Though only 62, Mr. Ofeimun is fondly called ‘Baba’ by the post-civil war generation of Nigerian writers many of whom have found touchstones in his works or have been individually mentored in writing by Mr. Ofeimun. For his copious literary output while engaged with anti-military rule struggle in Nigeria, Mr. Ofeimun has been called an exemplar of conscionable and consistent writing and the writerly life.
Obii is an artist and an art lover. She made her debut in Spoken word at the maiden edition of Bassey Ikpi’s Naija Poetry Slam which she won in October 2012. She has performed in major poetry events in Lagos and Calabar, Nigeria. She works as a copywriter, and in April 2013, she was recognised for her work with a Cannes Young Lions Award for Design. She also dabbles in photography.
Jamala Safari is a writer and a poet based in Cape Town. This DRC native has been writing since the age of 12. He is the author of a collection of poems called Tam-Tam Sings. His debut novel The Great Agony and Pure Laughter of the Gods is a story about 15 year-old Ristro and his journey through the war-stricken Congo.
Gloria D. Gonsalves is a creative writer and founder of World Children’s Poetry Day (WoChiPoDa), an initiative aimed at instilling the love of poetry in young people. Her work has appeared in various literary magazines, platforms and journals. Occasionally, she writes opinion pieces for newspapers.
Her literary works aim at supporting humanitarian related projects and creativity in others, especially children, by having them participate through drawings or stories. Her aspiration is to see more writers give back as profiled at Read A Book, Make A Difference (RABMAD).
Gloria’s mission as a writer is in paving the way for those seeking creativity in writing without paying attention to societal expectations. You might find her in unexpected spaces because she sees it as her job to show aspiring writers that possibilities exist. She does not procrastinate or allow man-made excuses such as it is not African. Even if it is not, she will be the African in it.
She holds a Master of Science (MSc) in Environmental Sciences, a Bachelor of Science (BSc) in Tourism Marketing and a Diploma (S.A.C Dip) in Professional Proofreading and Editing.
Gloria is from Tanzania, has lived in Ireland and currently resides in Germany.
You can find her online at www.auntieglo.com
Gus Ferguson has been writing poetry for the past 20 years and has acted as a publisher of mainly South African poets since 1979.
He has several collections published by a broad range of publishers – his latest collection Holding Pattern was published in 2009.
He is the recipient of a Molteno Silver medal and the English Academy Gold medal, both for services to poetry and as a poet.
Gail Dendy has published seven collections of poetry, her most recent being Closer Than That (Johannesburg: Dye Hard Press, 2011). Her first collection, published by Harold Pinter, was Assault and the Moth, Greville Press (UK) 1993. This was followed by People Crossing (Snailpress, 1995), Swimming in the Long Dark Sound (Stride, UK, 1998, Painting the Bamboo Tree (Arc, UK, 1999), The Poetry of Norman Corwin and Gail Dendy (Shirim, USA, 2002), and The Lady Missionary (Kwela/Snailpress, 2007). Her poetry regularly appears in journals and anthologies both in SA and overseas.
Throughout the 1980s and early ’90s Gail pioneered Contemporary Dance in South Africa and was nominated for the inaugural AA Vita Award for Best Performer. In her writing career, she was a Finalist in the South African Science Fiction Society’s Short Story competition, 1992; Finalist, Dalro Award 2007, Winner of the “Playwriting” category, SA PEN Millennium Competition, 2000; and Joint Winner of the cash prize for the Herman Charles Bosman Literary Award, 2008. She has also been long-listed for the Plough Prize (UK, 2008), shortlisted for the Thomas Pringle Award for Prose (Category: Short Story), 2010, and shortlisted for the EU/Sol Plaatje Poetry Prize in both 2011 and 2012.
The most recent anthologies to feature Gail Dendy’s work are: Anthony Astbury (ed) A Field of Large Desires (Manchester: Carcanet, 2010; Liesl Jobson (compiler) The Sol Plaatje/European Union Poetry Anthology 2011 (Cape Town: Jacana, 2011), and Patricia Schonstein Pinnock (ed) Africa, My Africa! (African Sun Press, 2013), and Harry Owen (ed) For Rhino in a Shrinking World: An International Anthology (East London, SA: The Poets Printery, 2013).
Over the years Gail has worked, inter alia, as a university lecturer, copywriter, and radio news writer. She is currently the Information Specialist for an international corporate-law firm.
Gail is passionate about environmental- and animal-rights issues. She lives in Johannesburg together with her husband, pets, a law library, and a collection of ballet, dance, classical, and Rock ‘n Roll CDs and DVDs.
Known by her stage name Es Taa, Esther Karin Mngodo is a Tanzanian poet based in Dar Es Salaam. At the age of 10 she was encouraged by her mother to join the choir, which she did. As the youngest member at the time, Es Taa started off as a Saprano and later on as an Alto. She recently discovered her Tenor voice in a band that ahe has been part of since 2006. Not only is the 26 year old a poet and a musician, but a journalist, a storyteller, a playwright, a social worker, a song composer and a woman passionate about her faith in God.
In 2011 she co-wrote a Musical Move: The Time is Now that was staged at The National Museum Theatre in Dar Es Salaam. She recently performed her original poems at The Smart Partnership Dialogue Meeting held in Dar es Salaam that was attended by Commonwealth Heads of States and different dignitaries.
Using her own life experience, Es Taa’s passion is to unearth matters that people would rather not talk about openly, to bring healing through authentic lyrics that have been birthed through her own pain, mistakes and the quest of life’s purpose. She also seeks to use art as a tool of social change by addressing issues of human rights and social justice in a way that people can relate to.
Oluwadolapo meaning “The Lord has poured (things of) substance together” is an embodiment of her name. Her poetry speaks of her inner experiences, either thought out or lived through. She writes in the hope that her words connect with another’s inner self and begins a deep inner reflection that will cause lasting change from the individual to the entire world.
Dolapo’s spoken word delivery has been described as theatrical and deeply moving. Applying her background in music, dance and stage acting into her live performances, she does not resemble one who only began this genre of artistry in August, 2010.
Born to yoruba parents as Oluwadolapo Ebunoluwapo Ogunwale in the city of Lagos, she hopes to find listening ears and open hearts on the world stage.
Cynthia Marangwanda is a Zimbabwean spoken-word poet who identifies herself as a feminist and a creative activist. Her art is rooted in Harare’s vibrant urban culture scene and fueled by the protest sounds of hip-hop and reggae. Her poetry is mainly concerned with themes of identity, emancipation, the deconstruction of oppressive structures, socio-political commentary, individual power, as well as in transformation, all seen through the lens of a twenty-something African feminist.
Cynthia started performing spoken-word in 2008 at Sistaz Open Mic, a show held monthly at the Book Café. She has performed at many other events at the Book Café including the House of Hunger Poetry Slam, 16 Days of Activism Against Gender-Based Violence and the Afro-Slam Poetry Express. Other places she has performed her poetry include the Harare International Festival of the Arts (HIFA), the International Images Film Festival (IIFF), International Women’s Day events as well as appearances in Namibia and Lesotho. Cynthia also co-founded Chimoto! – a platform for fellow emerging performance-artists and urban creative-outreach project in 2010 and she has also worked with Zimbabwe Poets for Human Rights.
Clever fooligan has made all the right mistakes and has self-realised his irrelevance.
Mr. Moses has attempted integrating his infinite personality and has even taken it to the stage! He fancies himself a bit of a nectar connector, talking songist,rhythm driven wordsmith, wordle doodle is heart headed hartist at heart, borderline magician dubious flowtician. For the last 9 nine years croc E moses has been planting word seed. With an activated sense of scooberty this poem ranger has been inciting da in sight, transposing consciousness,returning words to their source.
His works are serious, sensitive, deep, sometimes profound, equally flippant and possibly humorous. He takes many risks in content and in imagination. He draws upon exposure to extremes. His word strings are tasty tangents – His accent, soothing moon root liquorice, sub-dub dollop delicious, treating you to a little bit of everything you like. His performance is mysterious dragonfly capoeira!
Surprisingly and unsurprisingly he has appeared at festivals, conferences, schools, open mics, fund raisers, dinner party’s, exhibition openings and solo gigs mainly in South Africa, but also as far as New York, Dublin, Copenhagen, England, Mozambique, and Swaziland! Highlights include the Support act for Linton Kwesi Johnson, Cape Town, South Africa(2009) Poet On Strike Tour, Southern Africa (2009) Kgotla Youth Conference, South Africa(2009) Bushfire International Arts Festival, Swaziland (2008) Latitude Festival, UK (2007) The Aldeburgh Music Festival Fringe, UK (2007) The Nuyorican Poet’s Cafe, New York City, USA (2003) The Herman Charles Bosman Literary Festival, South Africa (2002) and the Grahamstown National Arts Festival, SOUTH AFRICA (2001).
The ever-resilient Checkmate Mido is a human beatbox, poet, musician and actor. He is known for his thought provoking poems and incorporating beatboxing into his performances.
In December 2010, at the annual Kenya Music Week, held at the Sarit Centre, he co-released his 6 track EP called Broken City with Kennah as his first foray into recording an album, which apart from the two, features various artists such as world renowned percussionist Tenpar Tella.
Broken City was again relaunched at the secrets lounge on the 3rd of March 2011. http://nairobinow.wordpress.com/concertalbum-launch-kennah-checkmate-live-unplugged-mar-3-2011-secrets-lounge/
Apart from writing his own music and poetry, he had a hugely successful debut as an actor appearing in the popular play Mayors’ Diary performed by Ethnic Productions in collaboration with Adcents media (now Kilele Productions), in which he starred as the title character the Mayor. He also played a role in the thriller Death & The Estate (as Spencer-The Family Lawyer) staged at the Kenya National Theatre from 9th-11th December 2011.
He featured in the 2012 edition of The Theatre Company’s Fire By Ten series playing multiple roles.
Having featured in festivals such as Wapi (words and pictures) in 2011 and Kinanda Arts Festival he has performed at various other poetry nights such as Slam Africa, Kwani and Wamathai.
Chief Moomen is currently a teaching assistant at the Theatre Arts Department of the University of Ghana where he studied Creative Writing in English and Play writing in Theatre Arts for his undergraduate degree.
His interest in poetry was ignited when he saw a performance of the American poet, Maya Angelou, in Ghana in the early nineties. Chief Moomen has been doing spoken word for the past five years. He has performed on various platforms including KSM’s Thank God It’s Friday and also makes regular appearances in the poetry section of Metro TV’s The Citizen Comedy Show. Chief Moomen’s poems are vivid with imagery and he transports his audience through a mosaic of experiences and leaves them excited, contemplative, refreshed or simply awed.
His collection of poems dubbed Village Fresh is a favourite amongst many as it takes them back to village life and its little pleasures. Chief Moomen intends to publish an anthology of his poems next year. He enjoys reading, listening to inspirational music and watching adventure and drama movies. He is very sociable and enjoys meeting new people. Chief Moomen intends to continue writing poetry for as long as the fountain of his creativity is nourished with the stream of inspiration.
Hale Tsehlana is the Faculty Advisor for the Stellenbosch University Poetry Society, which she assisted to establish. She is a published poet and has read and performed her poetry in and around South Africa, India, Germany, UK and South Korea. Her collection titled Poems and Songs from the Mirea was relaunched in August 2007 at a special celebration for the International Federation of Library Associations and Institutions hosted by the South Africa National Library for the Blind in Grahamstown and it has been published in Braille and Audio. In the face of current debates on multiculturalism and multilingualism in South Africa, this book takes a multimedia and multilingual approach to poetry with English, Afrikaans and Sesotho poems. The book encourages local writers to reach out to marginalized communities who may not be able to read and write; hence it is made into Braille.
She recently translated a children’s book Phapo’s Gift that will be suitable for use in primary schools. She is featured in Ink@ boilingpoint, a collection of poems and essays by women from the Southern tip of Africa, (2004) 2nd edition. Voices from the Free State (2004), an anthology of Prose, Verse & Creative Articles by Indigenous Women and Youth of the Free State Province, and Basadzi Voices, an anthology of poetic writing by young black South African Women, published in 2006 by University of KwaZulu-Natal Press. Hale Tsehlana was selected to attend the November 2007 Asia Africa Literature Festival in Jeonju South Korea and in May 2008 she represented South Africa as one of the 20 young writers selected world wide to participate in the Seoul Young Writers Festival. In 2009, she presented the Words on Water Festival – Stellenbosch Satellite event sponsored & co-hosted by the by the Indian Consulate Cape Town Office & Stellenbosch International office.
Azila Talit Reisenberger is an award winning author who has had poetry, short stories and a novel published in Israel, the USA, UK, Germany and South Africa.
Two of her plays: Adam’s Apple and The loving father, were staged at the Grahamstown Festival.
She heads the Hebrew section in the School of Languages and Literatures at the University of Cape Town, and renowned for her passionate lectures and articles on gender issues and feminist theology in the Bible. Since 1990 she has served as the Rabbi of Temple Hillel, a progressive Jewish community in East London. She lives in Cape Town with her husband and three children.
Anne Moraa is first and foremost a writer. A powerful spoken word artist, she has won several competions (Slam Africa, Kwani Open Mic) and has performed pieces at major festivals (Kwani Litfest, StoryMoja Hay Festival).
Her strong feminist perspective and willingness to challenge norms led to commissioned performances on gender and sexuality, including the 2013 “Festivale CulturElles” at Alliance Francaise. A law graduate, she writes fiction prose as well as scripts, social commentary and basically anything she can get her hands on.
Anis Mojgani is a two time National Poetry Slam Champion and winner of the International World Cup Poetry Slam. A TEDx Speaker and former resident of the Oregon Literary Arts Writers-In-The-Schools program, Anis has performed at numerous universities, festivals, and venues around the globe and has performed for audiences as varied as the House of Blues and the United Nations. His work has appeared on HBO, NPR, and in the pages of such journals as Rattle, Forklift Ohio, Used Furniture Review, and Thrush.
A founding member of the touring Poetry Revival, Anis is also the author of three poetry collections, all published by Write Bloody Publishing: Songs From Under the River (2013), The Feather Room (2011), and Over the Anvil We Stretch (2008). A graduate of the Savannah College of Art and Design, he still tries to make tiny spaces for visual art, doing the covers for his own books, and occasionally providing work for others, be it illustrations, the random poster, or whatever else may spark up. Originally from New Orleans, Anis currently lives in Austin TX in a little house with his wife and their dog, Trudy.
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Anele is a 28 year old poet raised in East London, South Africa but now based in Cape Town. Dead Prez and Tupac Shakur have been his main inspiration throughout his career.
Anele is well known for his witty poetry recited in his mother tongue Xhosa. He has been performing with Lingua Franca since its first Naked Word Poetry Session. In 2013 he performed at the Zabalaza Mini festivals, and he was a headlining act with Lingua Franca during the Naked Slam Poetry 2013. Anele is also part of a Floetry project run by Nanziwe Mzuzu under Bozza.mobi. He won the Cape Town leg of DFL Lover + Another Poetry Challenge in 2013 and was placed fourth at the Nationals.
In 2012 he wrote and performed a poetry production called People from no People at the Black Box Theatre in Delft.
Adjei Agyei Baah is a Strategic Management Lecturer of University College of Management Studies, Kumasi and a Co-founder of Poetry Foundation Ghana.
His poems have been published in many anthologies such as Sun And Snow [Canada, 2010], We Come From One Place [2010, Mensa Press], Whispers in the Whirlwind [2010, Mensa Press] and had also been published in haiku sites such as Shamrock.
Ameera Patel is a Jo’burg born actress, writer and poet. She completed her degree in Theatre and Performance at the University of Cape Town in 2005, where she was on the Dean’s Merit list and became part of the Golden Key Society. Her professional theatre performance record includes The Suit (2006), The Bonfire Theatre Company (2006), Victory (2007), Romeo and Juliet (2008), The Insatiables (2008), On Cue Theatre Company (2009), Hot Seat Confessions (2009), Ma Lindi and the Sex Strike (2010).
She is one of the founding members of the Rite 2 Speak poetry collective. Rite 2 Speak started in 2004 and has performed at various corporate events, festivals, bars and events with some of the highlights including National Women’s Day (2008), Urban Voices (2009), The Grahamstown Festival (2009) and Heritage day in Portugal (2008).
Her current projects include Rite 2 Speak gigs, Hamlet with the Framework team and facilitating writing workshops for the Jozi Book Fair.
Razaq Ivori is a prolific writer who began his career in writing as a ghost pen for the rich and famous. He wrote their auto biographies for a fee until his last book Elevating the Women for Mrs Titi Atiku. He moved on to the institute of journalism where he studied multimedia techniques and began working for an Abuja firm soon after his HND in journalism.
His literary works include blood and kin a Sci-Fi African drama piece and the adventures of illinick slyed a radio drama written for the BBC but was never submitted.
His current literary scheme is to bring back the art of the quintessential Town Crier poetic semantics: he dubs narrative news. A system where actual news content is infused in free flow prose rendition though in English but not without the characteristic melodic chant of the past.
For six months Ivori premiered this art at the Bogobiri lounge in ikoyi, where some say the uproar it generated prompted the proprietors to establish a full scale stage house next door for performance poetry.
Today the poet, writer, journalist has put all away to make his theatric experiment a reality. The full content like he humbly puts it will give birth to SAO [THE STANDERD AFRICAN OPERA].
Pippa Little was born and raised in Tanzania. She is Scots but has lived mainly in England. A teacher, editor, higher education lecturer and literacy tutor, she has now begun writing full-time. Married with three sons, two in England and one in Mexico, and a labrador dog, she has a poetry collection titled Overwintering.
Prof. Ahmed Sheikh Mohamed Nabhany, was born 27 November 1927 in Mombasa Kenya. He is affectionately known as the father of Swahili poetry.
A list of researchers Nabhany has assisted:
1. John W.T. Allen 1965 who was collecting Swahili manuscript, poetry, songs, and lullabies.
2. Prof. Ann Beirsteke 1983 who was researching Mwana Kupona and learning Swahili poetry.
3. Prof. Henebush 1989 who was learning Swahili poetry composed by Nabhany.
4. Prof.Ibrahim Noor Shariff 1984.
5. Prof. Chach n Chacha 1984 who was researching Swahili Poetry.
6. Dr. Marjorie Ann Franken 1986 who was researching, Ngoma, Swahili Poetry.
7. Prof. Rocha Chimera 1984 – Istilani.
8. Prof. Deborah P. Amory 1985 – Kanga In Swahili Society.
9. Prof. Kingei – On Swahili Twarab 1989.
Nabhany’s Contribution on Islamic Swahili Arab Scripts:
1967 – Helped in the collection and recording of Swahili and Arabic Manuscripts by J.W.T. Allen for University of Dar-Es-Salaam.
1984-1987 Worked with Prof. Dammann in Hamburg University, Germany in translating Swahili Arabic manuscripts to Roman scripts.
1993 – Worked on Islamic manuscripts with Dr.David Sperling Lamu, Pate, Siyu in Kenya in the same year travelled to Comores Island. Project sponsored by Al-Furqan Islamic Heritage Foundation through our director in London, Dr. Shariff.
2004 – A team of Oman Television led by Mr.Mohamed Bin Ali Marjiby interviewed him on the history of the first Omani who came to Pate in Lamu Kenya, Suleiman bin Suleiman bin Mudhafar Nabhany in the 12th Century and from Oman Jabal-Ahdhar at Al-Makheri.
Multi-award winning poet, playwright and performance artist, Phillippa Yaa de Villiers is a graduate of the Lecoq International School of Theatre in Paris. Her poetry ranges from the private to the political, exploring matters serious, satirical and sensual. She has a prolific portfolio of national and international stage and television productions. Taller than Buildings is first collection of poetry.
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