Liam Kruger is a 22-year-old writer and student living in Cape Town South Africa.
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Liam Kruger is a 22-year-old writer and student living in Cape Town South Africa.
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Lolani Kalu is a veteran Kenyan journalists, multi-linguist, musician, actor and comedian and Swahili poet. As a Journalist he has had a rare opportunity of interacting with Kenya’s diverse and rich arts and culture.
Lolani is the founder of Safari47.org, which was established as a way to identify, nurture and develop raw talent identified in 47 counties of Kenya.
Linda Kaoma is a writer, poet and a B.Com graduate from the University of Cape Town. She has been with the Art Africa Centre for four years and project manager for Badilisha Poetry X-change for three years.
In 2013 she performed in Amsterdam at the Afro Vibes Festival alongside Dutch poet Babs Gons in a poetic production entitled “Becoming Another, Becoming you”.
She is also the founder and editor of Unbranded Truth Online Magazine (www.unbrandedtruth.com), an online magazine that serves as a catalyst for self-acceptance and self-evolution.
She has contributed to various publications and continues to freelance.
The poet, performer, actress, presenter and producer Lebogang Mashile, the daughter of exiled South Africans, was born in the U.S. in 1979. At the age of sixteen years she and her parents returned to their home country. It was while she was studying law and international relations at Wits University in Johannesburg that the desire to work as an artist took hold of her. In her work as a life skills facilitator for adolescents ñ focusing on topics like gender issues, teamwork and sexuality ñ poetry has been her preferred medium. Mashile regards its expressive power as the most effective tool to bring about those changes in mental attitude that are needed in the aftermath of the socio-political changes in post-apartheid South Africa. “The enemy isnít really clear in the way it was before. It’s an incredibly sensitive, complicated struggle with many dimensions, but the site for that struggle is inside. … The language of poetry comes from a place where that transformation has to begin, that sort of intuitive, creative, spiritual searching place that will be the fuel for any kind of transformation process.”
Mashile began to achieve recognition as one of South Africa’s most popular young artists in 2002 when she performed her hip-hop inspired poetry at the Urban Voices Spoken Word and Music Festival to a large audience. She was the presenter and producer of the television programme L’Atitude, a concept that she co-executive produced with Curious Pictures. Throughout its three seasons and seventy-eight episodes she introduced the viewers to the personal stories of a diverse cross section of South Africans and their relationships with their immediate surroundings. These insights were gained from her travels through South Africa. The series reached an audience of over two million households.
Her lyrical and gutsy poems in the collection A Ribbon of Rhythm (2005) also speak about life in the new South Africa. Issues such as the diversity and unity of the “Rainbow Nation”, the status of women, violence and the fragility of individuals are all treated with a sense of urgency, humour and at times with melancholy and a certain rawness. Mashile’s self-produced album Lebo Mashile Live! combines her performance poetry with hip-hop, house and R & B.
In June of 2008, Mashile published her second anthology entitled Flying Above the Sky. This collection marks the poet’s first foray into self-publishing. In October of 2008, Mashile wrote and performed in a cross-media and cross-generational collaboration with renowned choreographer Sylvia Glasser entitled Threads. One can find Mashile’s thoughts in her monthly column, In Her Shoes, which she writes for True Love magazine. She can currently be seen on South African television screens as the presenter of Drawing the Line, a game show on SABC2 dealing with moral issues. The show is now in its second season.
In 2006 she was awarded the prestigious Noma Award for Publishing in Africa, the premier prize for African literature. The Jury characterised her poetry as of “a distinct oral flavour, developing oral poetry and performance beyond the boundaries of the poetry of the era of resistance”. In 2007, she was the recipient of the City Press/ Rapport Woman of Prestige Award. Mashile lives in Johannesburg.
Odia Ofeimun, poet, polemicist and polymath was born in Iruekpen-Ekuma, Edo State, Nigeria, on March 16th 1950. The author of ten significant volumes of poetry, Mr. Ofeimun has also published two books of political essays, four books on cultural politics as well as editing two anthologies of Nigerian poetry.
Widely anthologized and translated into many world languages, Mr. Ofeimun has read and performed his poetry in several countries of the world including Ghana, South Africa, Ethiopia, India, South Korea, Columbia, Germany, Israel, Great Britain, China, the United States of America, Venezuela, Mexico, Cuba, Sweden, Italy and Cuba.
At home in Nigeria, Mr. Ofeimun’s practice of journalism, spanning the years of military tyranny, has inspired a whole generation of journalists in print and electronic media. The principled stand of Mr. Ofeimun came at the price of random invasion of his residence, seizure of his manuscripts, computer discs and Nigerian Passport to deny him freedom of movement. Undeterred, and while practicing probably the most dangerous vocation of all at the time, Mr. Ofeimun served the Association of Nigerian Authors as General Secretary and President respectively. He has been designated advisor to PEN Nigeria Centre and is a founding member of the Pan African Writers Association.
Mr. Ofeimun is the recipient of many awards the latest of which is the prestigious Fonlon-Nichols Award for literary excellence and propagation of Human Rights which was conferred on him by the African Literature Association in 2010. In a literary career spanning four decades, Mr. Ofeimun has distinguished himself with poetry and essays which challenge both the imagination and the intellect, crossing cultural borders and establishing new benchmarks in the articulation of the African narrative. His essays are valued both for knowledge and analysis, for what to know and for how to think about what is known.
Though only 62, Mr. Ofeimun is fondly called ‘Baba’ by the post-civil war generation of Nigerian writers many of whom have found touchstones in his works or have been individually mentored in writing by Mr. Ofeimun. For his copious literary output while engaged with anti-military rule struggle in Nigeria, Mr. Ofeimun has been called an exemplar of conscionable and consistent writing and the writerly life.
Julian Curry started writing poetry in 1999. Besides receiving the 2003 crown at the Nuyorican, he was also the 2003 Bowery Poetry Club Co-Grand Slam Champion. His poetry is a glimpse into the inner city, Wall Street, family, and a regular guy’s everyday life.
Originally from the Bahamas, Julian now calls Harlem his home. He has been featured in Forbes Magazine & on BET’s Lyric Cafe. He was also featured on HBO’s Def Poetry Jam.
Poet, activist, interpreter of the ordinary; heiress of a nomadic lineage extending into the Ruwenzori Mountains of Uganda and the shadows of New York’s Yankee Stadium. Jessica Horn won the IRN Fanny Ann Eddy Poetry Prize in 2009 for her poem They have killed Sizakele and the Sojourner Poetry Prize judged by June Jordan in 2001 for her poem Dis U.N: For Rwanda. Her prose-poem Dreamings was profiled in the International Museum of Women’s online exhibition Imagining Ourselves. She is also the author of a collection Speaking in Toungues (Mouthmark, 2006). Jessica works in Africa and internationally on issues of women’s rights, health, violence and peace building.
James Matthews, poet, writer and publisher, has produced five books of poetry, a collection of short stories, a novel and an anthology of poetry, which he edited. Most of his work was banned under the previous government and was translated and published overseas. For 13 years he was denied a passport and was placed in detention from September to December 1976. Solitary confinement was widely used during the apartheid years; its purpose being to disorient, to dehumanize, to undermine the detainee’s sense of self-identity. James Matthews waged a struggle against this agenda with the one weapon the jailers couldn’t take away from him – his ability to turn words into poems.
In 1980 Matthews participated in the Frankfurt Book Fair, and in 1982 he participated in the Cultural and Resistance Conference in Gaborone. He was awarded a Fellowship at Iowa University, U.S.A. and was the founding member of the Vakalisa Art Association and founding member and Patron of the Congress of South African Writers. James Matthews is the first black person to have established an art gallery (Gallery Afrique) in South Africa, and is the first black to have established a publishing house (BLAC Publishing House 1974 -1991) The publishing house closed in 1991 due to constant harassment by the previous government. Matthews is the recipient of the Woza Afrika Award (1978), Kwaza Honours List – Black Arts Celebration, Chicago, U.S.A.(1979) and the Freeman of Lehrte and Nienburg, Germany (1982). In 2010, he was given an award by the City of Cape Town.
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Gloria D. Gonsalves is a creative writer and founder of World Children’s Poetry Day (WoChiPoDa), an initiative aimed at instilling the love of poetry in young people. Her work has appeared in various literary magazines, platforms and journals. Occasionally, she writes opinion pieces for newspapers.
Her literary works aim at supporting humanitarian related projects and creativity in others, especially children, by having them participate through drawings or stories. Her aspiration is to see more writers give back as profiled at Read A Book, Make A Difference (RABMAD).
Gloria’s mission as a writer is in paving the way for those seeking creativity in writing without paying attention to societal expectations. You might find her in unexpected spaces because she sees it as her job to show aspiring writers that possibilities exist. She does not procrastinate or allow man-made excuses such as it is not African. Even if it is not, she will be the African in it.
She holds a Master of Science (MSc) in Environmental Sciences, a Bachelor of Science (BSc) in Tourism Marketing and a Diploma (S.A.C Dip) in Professional Proofreading and Editing.
Gloria is from Tanzania, has lived in Ireland and currently resides in Germany.
You can find her online at www.auntieglo.com
Gabeba is the author of the poetry collections The Dream in the Next Body (2005), The Museum of Ordinary Life (2005), and A hundred silences (2006). The Silence Before Speaking, a volume of her poetry translated into Swedish, is published by Tranan publishers. The Dream in the Next Body was named a Notable Book of 2005 by the Sunday Independent in South Africa and was a Sunday Times Recommended Book. A hundred silences was short-listed for the 2007 University of Johannesburg Prize and the 2007 Olive Schreiner Award.
In 2005, Gabeba received the DaimlerChrysler Award for South African Poetry and held the Guest Writer Fellowship at the Nordic Africa Institute, the second person after Ama Ata Aidoo to receive this honour. In 2008, Gabeba was the recipient of a Civitella Ranieri Fellowship in Italy and a Writer’s Residency at the University of Witwatersrand. Gabeba has read at international literary festivals such as Winternachten in the Netherlands, Poetry International in Rotterdam and London, the Calabash Literary Festival in Jamaica, the Stockholm Poetry Festival, the Bristol Poetry Festival, the Franschhoek Literary Festival, Spier and Poetry Africa. Her fiction appears in Chimurenga, Twist (Oshun, 2006), Cape Town Calling (Tafelberg, 2007) and Art South Africa (6.2, Dec 2007). Gabeba is also a scholar, and writes for the media. Details of her academic writing and her articles in Newsday, the Sunday Independent, Mail & Guardian, Oprah and Real Simple magazines can also be found on gabeba.com.
G.O is a Cape Town based poet who has performed at places such as Touch of Madness, Tagore’s, and Zula Sound Bar. He has appeared on Bush Radio, UCT Radio and Vibe Radio. He has been published in IAM Magazine, Zazi Magazine and IMBO Online Magazine.
He coaches a poetry team called Word of Mouth that won an entry to compete in the Annual Brave New Voices Slam Poetry Competition in the United States.
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Evans Nganga is a Kenyan contemporary artist, dancer, poet, yoga instructor and beadwork craftsman who concentrates on performing arts based on African traditions and modern art. The past few years have included months of varied art projects, workshops and performances with both local and international artists, choreographers and dancers and travel for research and performances.
He has received his artistic academic training through open forums, seminars and self study, while practical training included dance workshops and apprenticeship receiving instructions in choreography and electronic media at the tertiary level. Evans has choreographed a Solo Dance Piece titled the poem performed at Encounters from Africa festival, the annual festival of solos and duests at Goethe Institute in Nairobi and Dance Week in Kampala, Uganda.
Known by her stage name Es Taa, Esther Karin Mngodo is a Tanzanian poet based in Dar Es Salaam. At the age of 10 she was encouraged by her mother to join the choir, which she did. As the youngest member at the time, Es Taa started off as a Saprano and later on as an Alto. She recently discovered her Tenor voice in a band that ahe has been part of since 2006. Not only is the 26 year old a poet and a musician, but a journalist, a storyteller, a playwright, a social worker, a song composer and a woman passionate about her faith in God.
In 2011 she co-wrote a Musical Move: The Time is Now that was staged at The National Museum Theatre in Dar Es Salaam. She recently performed her original poems at The Smart Partnership Dialogue Meeting held in Dar es Salaam that was attended by Commonwealth Heads of States and different dignitaries.
Using her own life experience, Es Taa’s passion is to unearth matters that people would rather not talk about openly, to bring healing through authentic lyrics that have been birthed through her own pain, mistakes and the quest of life’s purpose. She also seeks to use art as a tool of social change by addressing issues of human rights and social justice in a way that people can relate to.
Erin Bosenberg is a multi-disciplinary media and performance artist living in Cape Town. She has an Advanced Diploma in Broadcast Journalism from Humber College (Canada), where she received several awards for radio production and magazine writing. She also has a BFA, majoring in media arts, from NSCAD University.
Her art engages predominantly with place, identity, and bodily experience. She has contributed to numerous group shows, and has also had two solo gallery performances: While I Was Walking (2006) and Gestures for Longing (2008). She recently completed a residency with YEMOYA.
Multi-talented writer, poet, actor, media personality Eric Miyeni’s third and latest offering Mandingo! A Poetic Journey with Eric Miyeni, has been described as honest, raw and compelling. It follows the success of O!Mandingo!, The only black at a dinner party and O!Mandingo! Before Mandela was Mandela, which were launched following the phenomenal response to his e-zine. The work of Soweto-born Miyeni centres on black pride, black strength, black unity and black prosperity.
Oluwadolapo meaning “The Lord has poured (things of) substance together” is an embodiment of her name. Her poetry speaks of her inner experiences, either thought out or lived through. She writes in the hope that her words connect with another’s inner self and begins a deep inner reflection that will cause lasting change from the individual to the entire world.
Dolapo’s spoken word delivery has been described as theatrical and deeply moving. Applying her background in music, dance and stage acting into her live performances, she does not resemble one who only began this genre of artistry in August, 2010.
Born to yoruba parents as Oluwadolapo Ebunoluwapo Ogunwale in the city of Lagos, she hopes to find listening ears and open hearts on the world stage.
Dumisani Slinger is a spoken word artist, writer and performer who hails from the dusty streets of KwaZakhele, Port Elizabeth, South Africa.
His love for all things poetic stemmed from his passion for hip-hop. A friend introduced him to the world of poetry & he hasn’t looked back since.
His ferocious delivery and clever wordplay draw the audience in as he continuously drops hard facts on topics ranging from socio-political issues right down to the struggle to know thy self. Like many a writer, his poetry is sometimes inspired by the literature he consumes and also by the toil of life.
He has performed on various stages and platforms in and around PE and has even made an appearance on BayTV. The highlight of his journey in poetry came in 2012 when he was chosen, along with 3 other poets, to facilitate a workshop on Poetry & Creative Writing, which was held at the Red Location Museum during National Book Week.
Using the power of the spoken word, the young man aims to inform, inspire & change perceptions.
Dorian Haarhoff (1944- ) a South African/Namibian poet, facilitates creative writing, and story-telling wordshops and acts as a one-on-one writing mentor. In a past life, a Professor of English Literature (Namibia), Dorian now tinkers his trade in the street markets of the world. Mythology, creation spirituality, whole brain theory, the new Physics, narrative therapy, Ubuntu, Eco and Jungian psychology and the poetic tradition influence his writing and work.
Passionate about developing innate creativity and imagination, he believes in the power of poetry to create new realities. He has been participating poet at Poetry Africa, SA and at the International Poetry Festival in Colombia, South America.
Selected publications:
Creative Writing teaching text
The Writer’s Voice: A Workbook for Writers in Africa (Zebra Press, Johannesburg 1998.)
Poetry:
Wrist and Rib (own publication, Cape Town, 1978.)
Stickman (own publication, Windhoek, 1981.)
Bordering (Justified Press, Johannesburg, 1991.)
Aquifers and Dust (Justified Press, Johannesburg, 1994.)
Tortoise Voices (Mercer, Cape Town, 2002.)
Drawing Water (Leopard Press, Durban, 2007.)
Poemegranites (Leopard Press, Durban, 2012.)
Editing of Poetry (Student Writing)
The Writers Eye: Namibian Poetry in Process (ed. D. Haarhoff, Basler Afrika Bibliographien, 1997.)
Drama Scripts:
Goats, Oranges and Skeletons (ed. T. Zeeman, Gamsberg Macmillan, Windhoek, 2002.)
The Missing Namibian, SAMP – (Swedish African Museum Project) performed in Sweden and Namibia , 1996 (unpublished.)
Children’s Stories/ Drama:
Desert December (Songololo, Cape Town, 1991, Clarion, New York, 1992 and Pan Macmillan, U.K., 1993.)
Water from the Rock (New Namibia Books, Windhoek, 1992.)
Legs, Bones and Eyes (New Namibia Books, Windhoek 1994, Puffin, 1996.)
Guano Girl (Justified Press, Johannesburg, 1994.)
Space Racer, graded reader (Kagiso, Cape Town, 1996.)
Grandfather’s Enoch’s Pipe, graded reader (Gamsberg Macmillan, Windhoek, 2002.)
The Water Diviner, short list top 3 African Baobab competition 2011
Alice in Welwitschialand (Environmental Play) Performed 1992, 1993 and 1994 NTN (National Theatre Namibia) and Grahamstown Festival. (unpublished)
The Colour of Water, Children’s Radio Drama Serial. Namibian B C, 1993.
Diana Ferrus was born in Worcester in 1953 and completed her high school career in 1972. She completed a postgraduate degree in Women’s and Gender studies at the University of the Western Cape where she works as an administrator in the Dept of Industrial Psychology.
Diana is a writer, poet, performance poet and story-teller. Her work in both Afrikaans and English has been published in various collections and some serve as prescribed texts for high school learners. Her publishing house, Diana Ferrus Publishers has published various publications including her first Afrikaans collection of poetry, Ons Komvandaan. Diana co-edited and published a collection of stories about fathers and daughters, Slaan vir my ‘n masker, Vader in 2006. The mission of her publishing company is to publish writers from previously disadvantaged communities. Her company in association with the University of the Western Cape has published life stories of three former activists and unionists namely, Liz “Nana” Abrahams, Zollie Malindi and Archie Sibeko. These publications contain rich material about South Africa’s past and some are prescribed texts at the University of the Western Cape.
She is a founder member of the Afrikaanse Skrywersvereniging (ASV), Bush Poets (all women poets) and Women in Xchains (grassroots women writers).
Diana has attended numerous literary festivals locally and abroad. In 2006 she performed her poetry at the Klein Karoo Kunstefees with the Mamela band. They received a Kanna-award for the best contemporary music. At this very festival Diana received a Kanna-award for her contribution to Afrikaans.
However Diana Ferrus is internationally known and acclaimed for the poem that she wrote for the indigenous South African woman Sarah Bartmann who was taken away from her country under false pretences and paraded as a sexual freak in Europe.
Diana’s work has had and still has a bearing and influence on matters of race, gender, class and reconciliation. She is popular amongst South Africans of all race groups. She believes in her country’s future and works tirelessly for her people’s emancipation from racial, sexual and class exploitation as well as reconciliation.
A native of Trinidad and Tobago, Desiree has lived in New York for over 13 years. Still, the Caribbean will never leave her.
She believes that the written and spoken word can set fire to the positive action and social change that is waiting in our bones.
Dejavu Tafari has been involved in the performing arts since her high school days. Having discovered her abilities as a writer at an early age, she has honed her skills in creative writing and used them as a means of social commentary, making a name for herself in the slam poetry scene as a writer and performer of note.
Having completed a Live Performance course at Cape Town’s A.M.A.C in 2004 and gone on to further her studies in Theatre Performance at UCT, her work fuses elements of physical theatre, contemporary live performance, music and story-telling to deliver impactful social commentary on issues such as spirituality, cultural heritage, child abuse, peer pressure, love and various other issues which affect the youth.
She currently co- owns NTUTOPIA PRODUCTIONS- a township-based production company and uses this platform to generate theatre and television productions which focus on telling stories that empower the black youth demographic by reinforcing positive values. She has gained popularity within the Slam Poetry scene as a result of her consistent performances at events such as UNCUT (Cape Tech); AFRO (UCT); Kopano (Langa); All N.YZ (Guguletu); GOEMARATTI (Cape Town) and various other youth- orientated initiatives around the Western Cape. She has recently collaborated with an acoustic ensemble called the Umthwakazi Band; adding indigenous Xhosa music to her witty lyrics to create a kaleidoscope of experimental word-sound-power that has been well received by her widening audience base.
Other performances include the Speak The Mind Poetry Extravaganza (Artscape Theatre Sept. 2009); Poetry on Long (New Space Theatre Jan. 2010); Verses (Feb. 2010); Badilisha Poetry’s 100 000 Poets for Change( 2011) and Woman To Woman( 2012). Dejavu is currently working on her debut album.
born in kingston jamaica, raised in whitfield town
birthed from the womb of dub
by anita (poets iin unity) stewart
who raised her child
at orality’s hub
storyteller d’bi.young takes performance live
is celebrated by the people on her way
including receiving two doras for blood.claat
first of the sankofa trio of plays
the second and third are benu and word! sound! powah!
onewomban biomyth monodramas
d’bi. is dubpoet, educator, soul-searching wombanist
also aspiring rawfoodist
played staceyann in da kink in my hair
founded anitafrika! dub theatre
recorded six dub disks
with two collections of poetry published
new album set to blossom late 2010
watching her two sons grow
while currently touring the world
Cynthia Marangwanda is a Zimbabwean spoken-word poet who identifies herself as a feminist and a creative activist. Her art is rooted in Harare’s vibrant urban culture scene and fueled by the protest sounds of hip-hop and reggae. Her poetry is mainly concerned with themes of identity, emancipation, the deconstruction of oppressive structures, socio-political commentary, individual power, as well as in transformation, all seen through the lens of a twenty-something African feminist.
Cynthia started performing spoken-word in 2008 at Sistaz Open Mic, a show held monthly at the Book Café. She has performed at many other events at the Book Café including the House of Hunger Poetry Slam, 16 Days of Activism Against Gender-Based Violence and the Afro-Slam Poetry Express. Other places she has performed her poetry include the Harare International Festival of the Arts (HIFA), the International Images Film Festival (IIFF), International Women’s Day events as well as appearances in Namibia and Lesotho. Cynthia also co-founded Chimoto! – a platform for fellow emerging performance-artists and urban creative-outreach project in 2010 and she has also worked with Zimbabwe Poets for Human Rights.
Chirikure Chirikure was born in Gutu, Zimbabwe, in 1962. He is a graduate of the University of Zimbabwe and an Honorary Fellow of Iowa University, USA. He currently lives in Berlin, Germany, as a fellow under the 2011/12 DAAD Berliner Kunstlerprogramm (Artists in Berlin Programme). He also works as a performance poet and cultural consultant.
He worked with one of Zimbabwe’s leading publishing houses as an editor/publisher for 17 years, until 2002. After working as a consultant for a while, he went on to work for an international development agency as a programme officer for culture, for Southern Africa, based in Harare, until April 2011.
Chirikure has published the following volumes of his poetry: Rukuvhute (1989, College Press, Harare); Chamupupuri (1994, College Press, Harare); Hakurarwi – We Shall not Sleep (1998, Baobab Books, Harare) and Aussicht Auf Eigene Schatten (Shona and English poems with German translations) (2011, Afrika Wunderhorn, Heidelberg, Germany).
He has also contributed some pieces in a number of poetry anthologies, including Zviri Muchinokoro (2005, ZPH Publishers), Intwasa Poetry (2008, AmaBooks Publishers), Schicksal Afrika (ed. Horst Kohler) (2010, Rowohlt Verlag), No Serenity Here – An Anthology of African Poetry in Chinese, (2010 Moonchu Foundation).
His poetry has been translated into a number of languages. He has also written and translated a number of children’s stories and educational books.
Chirikure’s first three poetry books received first prizes in the annual Zimbabwe writer of the year awards. His first volume, Rukuvhute, also received an Honorable Mention in the Noma Awards for Publishing in Africa, in 1990. His other book, Hakurarwi – We Shall not Sleep, was selected as one of the 75 Best Zimbabwean Books of the 20th Century in a competition ran by the Zimbabwe International Book Fair in 2004. In that competition the same book got a prize as one of the best five Shona publications of the 20th Century.
Chirikure performs his poetry solo and/or with DeteMbira mbira music ensemble. With DeteMbira, they recorded an album of poetry and music, Napukeni (2002, Tuku Music/ZMC). He regularly performs and tours with musician Chiwoniso Maraire, with whom he has recorded an album of poetry with mbira music, Chimanimani .
With support from family and friends, he has also recorded an album of his poetry with contemporary music, Chisina Basa (2011, Metro Studios Harare/Inyasha Studios UK).
He has also written lyrics for a number of leading Zimbabwean musicians and he occasionally performs and has recorded with some of these musicians.
He has also contributed lyrics, translations and voice-overs in films and documentaries, and has acted in some theatre productions. He has also been an occasional contributor to the print media and used to run a radio programme for young Shona writers.
Over the years, Chirikure has participated in several international festivals, fairs, conferences and symposiums, as a performer, speaker or resource person.
Charlie Bobus takes performance poetry to a new level, he has been described as being “the hardest working Dub Poet” and sheds a positive light on the Roots Reggae music scene. Bringing a new genre of poetry called Motivational Dub Poetry to the world.
From Grantspen Kingston Jamaica, this poet, left 8 years of office experience behind and now plays the role of activist, producer, publisher, events coordinator, actor, workshop facilitator, and motivational speaker for over a decade and as been bringing a positive and welcome change to the dub poetry industry in Jamaica. Doing all the projects required to bring dub poetry to its rightful international status Charlie Bobus keeps events, publishes books, produces CDs and videos and runs workshops across Jamaica the Caribbean and Canada. Described as being a “cut between Motivational speaker and a Bob Marley” with “a unique style of his own”; “hailed as the leading Dub poet of this new generation”, Charlie Bobus‘s original Dub Poetry combines with any rhythm crossing genres to embrace Reggae, Hip Hop, R&B, African Roots, Rock and souls influences which enhance the motivational themes of his poetry.
With extensive experience on the stage show and live poetry gig circuit, and keeping some of the major poetry events that keep the poetry scene alive in Jamaica, Charlie Bobus in 2007 released his Creative Energy Collection – Book, single & Video, and recently launched his first Dub Poetry Album in 2011 at Lula Lounge in Toronto Canada which is a selection from his wide repertoire. Creative Energy solidified his presence and made an official Charlie Bobus imprint into the wider public arena and music industry. With its unique new Poetic style, Motivational dub poetry mixed with Roots Reggae and Culture, the Charlie Bobus sound is versatile, well crafted, positive, motivational, and healing!
Charlie Bobus has been featured on BET performing on Spring Break 2009, Opened for Roots Underground in the Jungle, opening for I Octane My life tour in Canada Shared Stage with yellow Man and appeared @ Sunset on the beach in Negril, Sting, Capleton’s St. Mary Mi Come From and a number of large scale reggae concerts. Featured on BETJ word sound Power performing and doing an interview and Creative Energy and was a featured track on a compilation CD Word Sound Power Volume 1 which contained audio from the BETJ series. The rhythm Creative Energy produced by Inspirator international was also used as a sound track for When Walls Talk a featured program with sizzla on BETJ. Bobus sees dub poetry as a way to empower minds and uplift youths and works for the betterment of mankind. In this way, he believes that Motivational Dub poetry can empower people’s mind and become a valuable medium for change.
In recent years Charlie Bobus has impacted on regional festivals (Graduating from the Internationally acclaimed Calabash Poetry Festival Workshop scholarship), performing island wide in high profile Corporate Arenas, clubs, Hotels, appearing in music videos recently featuring as lead actor in Mr. Vegas – I am Blessed and plays and conducting countless Social Campaigns in Jamaica and abroad including running workshops and representing Jamaica in Canada as an ambassador for Dub Poetry at the Fall 2007 International Dub Poetry Festival in Hamilton, Canada.
A qualified primary school teacher, Cosmas Mairosi was born in Mudzi and grew up in the rural area of Rusape in Manicaland province, Zimbabwe. He is a performance poet, writer, arts trainer in children’s performing arts, vice chairperson of Budding Writers Association of Zimbabwe (BWAZ)’s and a member of Global Arts Trust.
He has published poems and short stories in Writers Scroll, Teacher’s Voice and New Voices magazines and is featured in an international anthology CHE IN VERSE published by Aflame Books. A compilation that includes two Nobel Prize Laureates and Allen Ginsberg. Cosmas has also published in State of the Nation, Contemporary Zimbabwean Poetry, an anthology of Zimbabwean poets. He has been broadcast on ZBC radio, television and BBC radio and television and has performed at the Zimbabwe International Book Fair since 2003, HIFA-Spoken Word.
His international debut was at the ANTUSA Games (10-14 April 2008) in Francistown, Botswana, which was a festival of SADC Teachers Unions. Cosmas Mairosi won first prize in the House of Hunger Poetry Slam at the Book Café and has twice been an International Society of Poets finalist. He has taught performance poetry and facilitates performance poetry workshops. Cosmas performed at Speak the Mind 2010 at the Artscape in Cape Town South Africa.
Hale Tsehlana is the Faculty Advisor for the Stellenbosch University Poetry Society, which she assisted to establish. She is a published poet and has read and performed her poetry in and around South Africa, India, Germany, UK and South Korea. Her collection titled Poems and Songs from the Mirea was relaunched in August 2007 at a special celebration for the International Federation of Library Associations and Institutions hosted by the South Africa National Library for the Blind in Grahamstown and it has been published in Braille and Audio. In the face of current debates on multiculturalism and multilingualism in South Africa, this book takes a multimedia and multilingual approach to poetry with English, Afrikaans and Sesotho poems. The book encourages local writers to reach out to marginalized communities who may not be able to read and write; hence it is made into Braille.
She recently translated a children’s book Phapo’s Gift that will be suitable for use in primary schools. She is featured in Ink@ boilingpoint, a collection of poems and essays by women from the Southern tip of Africa, (2004) 2nd edition. Voices from the Free State (2004), an anthology of Prose, Verse & Creative Articles by Indigenous Women and Youth of the Free State Province, and Basadzi Voices, an anthology of poetic writing by young black South African Women, published in 2006 by University of KwaZulu-Natal Press. Hale Tsehlana was selected to attend the November 2007 Asia Africa Literature Festival in Jeonju South Korea and in May 2008 she represented South Africa as one of the 20 young writers selected world wide to participate in the Seoul Young Writers Festival. In 2009, she presented the Words on Water Festival – Stellenbosch Satellite event sponsored & co-hosted by the by the Indian Consulate Cape Town Office & Stellenbosch International office.
Antjie Krog was born and grew up in the Free State. She became editor of the Afrikaans current-affairs magazine Die Suid-Afrikaan and later worked as a radio journalist covering the Truth and Reconciliation Commission hearings, all the while writing extensively for newspapers and journals. She and her radio colleagues received the Pringle Award for excellence in journalism for their coverage of the Commission hearings, from which came the best known of her three non-fiction books, Country of My Skull.
She has won major awards in almost all the genres and media in which she has worked: poetry, non-fiction and translation. But, mainly, she has lived as a poet. Krog’s first volume of poetry was published when she was seventeen years old and she has since released thirteen volumes of poetry and received among others the Eugène Marais Prize, the Hertzog Prize, the FNB Prize, the Protea Prize, and, for non-fiction, the Alan Paton Prize and the Olive Schreiner Award. She has also been a recipient of the Stockholm Award from the Hiroshima Foundation for Peace and Culture and the Open Society Prize. She is married to architect John Samuel.
Annie Moyo’s poetry that has been inspired by an upbringing that was rich in exposure to various traditions.
She currently resides and works in Cape Town, but her work draws strongly on her experience of being raised and schooled in Zimbabwe. She maintains close ties with her family and the people of Zimbabwe, a bond that resonates powerfully in the way she interprets the world around her.
Anne Moraa is first and foremost a writer. A powerful spoken word artist, she has won several competions (Slam Africa, Kwani Open Mic) and has performed pieces at major festivals (Kwani Litfest, StoryMoja Hay Festival).
Her strong feminist perspective and willingness to challenge norms led to commissioned performances on gender and sexuality, including the 2013 “Festivale CulturElles” at Alliance Francaise. A law graduate, she writes fiction prose as well as scripts, social commentary and basically anything she can get her hands on.