Tag Archives: Inspiration

Kemba King

kemba king is an artist. healer. storyteller.

she has been writing and sharing her art for over 10 years. in 2009 and 2010 she was a part of the anitafrika dub theatre playwrights-in-residence program where she wrote and co-produced the biomyth monodrama where the stories are told. during the same year, she participated and culminated from the sacred leaders mentorship program from sacred women centres international. she hosted and co-produced a radio show entitled womyn’s words for over 10 years. she also co-directed and co-facilitated the medina collective – an organisation committed to informing and engaging young women of colour in media literacy primarily via hip hop.

Liam Kruger

Liam Kruger is a 22-year-old writer and student living in Cape Town South Africa.

Lolani Kalu

Lolani Kalu is a veteran Kenyan journalists, multi-linguist, musician, actor and comedian and Swahili poet. As a Journalist he has had a rare opportunity of interacting with Kenya’s diverse and rich arts and culture.

Lolani is the founder of Safari47.org, which was established as a way to identify, nurture and develop raw talent identified in 47 counties of Kenya.

Lemn Sissay

LEMN SISSAY MBE is associate artist at Southbank Centre, patron of The Letterbox Club and The Reader Organisation, ambassador for The Children’s Reading Fund, trustee of Forward Arts Foundation and inaugural trustee of World Book Night and an honorary doctor of Letters. He has been a writer from birth and foremost he is a poet. 

Lemn is author of a series of books of poetry alongside articles, records, broadcasts, public art, commissions and plays. Sissay was the first poet commissioned to write for London Olympics. His Landmark Poems are installed throughout Manchester and London. They can be seen in The Royal Festival Hall and The Olympic Park. His Landmark Poem,Guilt of Cain, was unveiled by Bishop Desmond Tutu in Fen Court near Fenchurch St Station.

Sissay’s installation poem what if was exhibited at The Royal Academy alongside Tracey Emin and Antony Gormley. It came from his Disko Bay Expedition  to the Arctic alongside  Jarvis Cocker, Laurie Anderson, Ryuichi Sakamoto, Leslie Feist and  KT Tunstall.  His  21st century poem was released on multi-million award winning album Leftism by Leftfield.  A violin concerto performed at The BBC by Viktoria Mullova was inspired by  Lemn Sissay’s poem Advice For The Living.

Sissay’s award winning play Something Dark directed by National Theatre of Wales artistic director John McGrath has been performed throughout the world  and his stage adaptation of Benjamin Zephaniah’s Novel Refugee Boy at West Yorkshire Playhouse tours Britain in 2014.  A BBC  TV documentary, Internal Flight , and a radio documentary, Child of the State,  were both broadcast about his life and his Ted Talk has close to a million views. His documentary on the late  Gil Scott Heron was the first pubic announcement of Scott-Heron’s comeback album.

Sissay describes dawn in one tweet every day. His Morning Tweets. One Morning Tweet  became an award winning building MVMNT Café commissioned by Cathedral group designed and built by Supergroup’s  Morag Myerscough. It is the only building in the world built below a tweet. Cathedral also  commissioned a Landmark Poem,  Shipping Good,  which will be laid into the streets of Greenwich.

He was the first  Black Writers Development Worker in the North of England.  He created and established Cultureword (part of Commonword) where Sissay developed supported and published many new writers who’ve gone on to a life of creativity.  Sissay received an MBE from The Queen  for services to literature and an honorary doctorate from University of Huddersfield who run The Sissay Scholarship for care leavers: It is the first of its kind in the UK.

The Guardian newspaper heralded the arrival of his first book Tender Fingers In A Clenched Fist. “Lemn Sissay has Success written all over his forehead”. He was 21. Between the ages of 18 and 32 he  tracked his family down across the world.  His career as a writer happened in spite of his incredible life story not because of it.

He has made various BBC radio documentaries on or with writers such as Gil Scott Heron, The last Poets, JB Priestley, Edgar Allan Poe and poetry films broadcast to the nation.  His head is in London where he’s based, his heart is in  Manchester where he is not, his soul is in Addis  and his vibe is in New York where his mother lives.  He blogs openly for personal reasons. Google Lemn Sissay and all the hits would be about him. There is only one Lemn Sissay in the world.

Omnyama

Omnyama (the black one), birth name Asanda Vokwana was born and buttered in Port Elizabeth, South Africa.  Her provocative voice has graced numerous stages in South African. Traces of her Past her debut album – working alongside Bongani Tulwana – is a recollection of the realities of being young, black and female.

Odia Ofeimun

Odia Ofeimun, poet, polemicist and polymath was born in Iruekpen-Ekuma, Edo State, Nigeria, on March 16th 1950. The author of ten significant volumes of poetry, Mr. Ofeimun has also published two books of political essays, four books on cultural politics as well as editing two anthologies of Nigerian poetry.

Widely anthologized and translated into many world languages, Mr. Ofeimun has read and performed his poetry in several countries of the world including Ghana, South Africa, Ethiopia, India, South Korea, Columbia, Germany, Israel, Great Britain, China, the United States of America, Venezuela, Mexico, Cuba, Sweden, Italy and Cuba.

At home in Nigeria, Mr. Ofeimun’s practice of journalism, spanning the years of military tyranny, has inspired a whole generation of journalists in print and electronic media. The principled stand of Mr. Ofeimun came at the price of random invasion of his residence, seizure of his manuscripts, computer discs and Nigerian Passport to deny him freedom of movement. Undeterred, and while practicing probably the most dangerous vocation of all at the time, Mr. Ofeimun served the Association of Nigerian Authors as General Secretary and President respectively. He has been designated advisor to PEN Nigeria Centre and is a founding member of the Pan African Writers Association.

Mr. Ofeimun is the recipient of many awards the latest of which is the prestigious Fonlon-Nichols Award for literary excellence and propagation of Human Rights which was conferred on him by the African Literature Association in 2010. In a literary career spanning four decades, Mr. Ofeimun has distinguished himself with poetry and essays which challenge both the imagination and the intellect, crossing cultural borders and establishing new benchmarks in the articulation of the African narrative. His essays are valued both for knowledge and analysis, for what to know and for how to think about what is known.

Though only 62, Mr. Ofeimun is fondly called ‘Baba’ by the post-civil war generation of Nigerian writers many of whom have found touchstones in his works or have been individually mentored in writing by Mr. Ofeimun. For his copious literary output while engaged with anti-military rule struggle in Nigeria, Mr. Ofeimun has been called an exemplar of conscionable and consistent writing and the writerly life.

Obii

Obii is an artist and an art lover. She made her debut in Spoken word at the maiden edition of Bassey Ikpi’s Naija Poetry Slam which she won in October 2012. She has performed in major poetry events in Lagos and Calabar, Nigeria. She works as a copywriter, and in April 2013, she was recognised for her work with a Cannes Young Lions Award for Design. She also dabbles in photography.

Osaze Dolabaille

OSAZE DOLABAILLE is a singer, poet and drummer who was born on the Caribbean island of Trinidad. He was brought to the city of Toronto, in Canada while still very young. It was here that the adult Osaze would be awakened: to the reality of his Afrikan identity, an appreciation of Afrikan history and the validity of Afrikan spirituality. Thus inspired, he has been performing at community events, spoken word and poetry readings, and concerts since 1998.

He is currently the president of Baro Dununba, a Toronto based music ensemble and philanthropic organization. Along with Baro Dununba, he has performed as part of Muhtadi’s World Drummers, Quammie Williams’ JUMP Collective and the New Dimension Steel Orchestra. Poetic collaborations have included the International Festival of Poetry of Resistance and T Dot Griots anthologies. In 2007 he released his first book entitled, Rebirth of the Warrior Poet. This self-publication afforded him the opportunity to participate in both the 2007 Caribbean Canadian Literary Expo and the Organization of Calypso Performing Artistes’ Calypso Tents Music Series as part of Caribana 2007 (aka Toronto Caribbean Carnival).

Omekongo wa Dibinga

Omekongo wa Dibinga was born to Congolese parents in Cambridge Massachusetts. His first CD, A Young Black Man’s Anthem, won the 2003 Cambridge Poetry Award for “Best CD.” His first book of poems, From the Limbs of my Poetree, was published in 2004 through Free Your Mind Publishing, which Omekongo founded in early 2004. Other CD’s include Reality Show, which is Omekongo’s first hybrid spoken word and hip-hop CD. Omekongo has been published in Essence Magazine, Sister 2 Sister, and several other publications.

A dedicated educator and community activist for over 20 years, Omekongo plans to continue focusing on improving cultural understanding and growing greatness among all of humanity’s children, because, as Omekongo believes: “We are only as humane as our most inhumane soul.”

Octavia McBride-Ahebee

Octavia’s work has appeared in many journals and anthologies including Damazine; A Literary Journal of the Muslim World, Fingernails Across The Chalkboard: Poetry And Prose on HIV/AIDS From the Black Diaspora, Under Our Skin: Literature of Breast Cancer, Sea Breeze- A Journal of Contemporary Liberian Writing, The Journal of the National Medical Association, Art in Medicine Section and the Beloit Poetry Journal. Assuming Voices, a poetry collection, was published in 2003 by Lit Pot Press. Her newest collection of poetry, Where My Birthmark Dances, was published in 2011 by Finishing Line Press.

Jumoke Verissimo

At age 7, her class teacher wrote on her mid-term report sheet, “Jumoke loves to write”. While that was just a teacher’s observation, it is one revelation that has remained true. Her love for words has never taken her far from it. She has worked as a printer’s clerk, assistant sub-editor, performance poet and journalist. Now working as a copywriter, she maintains a page in the Guardian Newspaper. Her poems and short stories have appeared in several magazines like Chimurenga, Bathtub Gin, Canopic Jar, Eclectica, Sentinel, African writing-online, Boyne Berries, Farafina, Kwani and several anthologies.

I am Memory is Jumoke’s first collection of poetry.

Jessica Horn

Poet, activist, interpreter of the ordinary; heiress of a nomadic lineage extending into the Ruwenzori Mountains of Uganda and the shadows of New York’s Yankee Stadium. Jessica Horn won the IRN Fanny Ann Eddy Poetry Prize in 2009 for her poem They have killed Sizakele and the Sojourner Poetry Prize judged by June Jordan in 2001 for her poem Dis U.N: For Rwanda. Her prose-poem Dreamings was profiled in the International Museum of Women’s online exhibition Imagining Ourselves. She is also the author of a collection Speaking in Toungues (Mouthmark, 2006). Jessica works in Africa and internationally on issues of women’s rights, health, violence and peace building.

JahRose

JahRose is a poet, mentor, performer, an author, social entrepreneur and art activist. JahRose Productions is an umbrella where all these come together. She self published and launched her debut poetry compilation book: Rooted from the heart in 2010. She recently published Free State of Mind Anthology, with an audio book and a DVD. Free State of Mind Anthology has subsequently been turned into a documentary.

Jumi

Jumi who holds qualifications in Dental Surgery and Medical Informatics is the Creative Enthusiast behind IMOLE, Jumi’s Spoken Cabaret is an innovative compilation of ten inspirational tracks of ironic weaves of recitals, songs, poetry, word games, wit, metaphors and subtleties set to varying genres of music.

Jumi sees poetry as a fascinating tool that gives expression to a passionate and unorthodox voice. She clearly feels very much a part of her audience and believes that in listening incisively they will find twists, turns and whimsies of our collective destiny food for inspired thought.

A “proudly Nigerian” poet, vocalist and lyricist with a tender tough stripe of cultural louche and spiritual commentary, Jumi’s artistic style is bold and imaginative with a conversational voice that sounds almost reticent.

In Jumi’s Spoken Cabaret, she maximizes this compelling and inimitable style to ride hot currents for the pain and pleasure of swooping around spiritual, pure, social, maternal and fragile subjects. Whilst doing this, she clings to images of reality that are firmly embedded in what she perceives to be the public’s consciousness, acknowledging issues people feel they are familiar with or can relate to, offering a speculative but entirely plausible view.

Exposure to Yoruba griot sounds, classical forms of music plus a need for and hunger to express truth’s tale becomes tension released in distinct ways in each of the ten tracks on the CD. From deep sentiments to an indigenous groove set to a lush vocal background to epics of gratitude carrying a sensual earthiness, the entire production is a consolidation of international and traditional styles fused into a deeply personal approach.

Jumi is happily married to her friend Kola and has three daugthers.

Jessica Mbangeni

Born and raised in the Eastern Cape, Jessica Mbangeni is one of South Africa’s most sought after female Imbongi (praise singer), and has made her mark in male dominated cultural terrain. Invoking the role of this ancient tradition, largely influenced by her grandmother’s isiXhosa storytelling in the village of Nqamakwe, she offers insightful commentary on contemporary affairs. She has performed alongside numerous musical icons, such as Dolly Rathebe and Dorothy Masuka.

Jemedari

Growing in the towns of Mombasa, Nakuru and Nairobi City, Jemedari is a spoken word poet and Hip Hop artiste. Having involved himself in poetry from school level competitions, his style is a gritty mix of English and coastal Swahili. His focus on topics is mainly politics and social justice, with the occasional dabbling in matters of the heart.

Gcina Mhlophe

Iconic and award-winning Kwazulu-Natal storyteller and poet, Gcina Mhlophe has been writing and performing for over twenty years. Known for her engaging stage presence, she has written numerous award-winning childrens books as well as poetry, short stories and plays, including Nozincwadi Mother of Books, African Mother Christmas, Fudukazi’s Magic and Love Child. Gcina Mhlophe has received Honorary Doctorates from the London Open University as well as the University of Natal and awards from BBC Africa Service for Radio Drama, The Fringe First Award in the Edinburgh Festival, the Josef Jefferson Award in Chicago, and OBBIE in New York. Her work has contributed to the revival of indigenous storytelling in South Africa.

Gus Ferguson

Gus Ferguson has been writing poetry for the past 20 years and has acted as a publisher of mainly South African poets since 1979.

He has several collections published by a broad range of publishers – his latest collection Holding Pattern was published in 2009.

He is the recipient of a Molteno Silver medal and the English Academy Gold medal, both for services to poetry and as a poet.

Gail Dendy

Gail Dendy has published seven collections of poetry, her most recent being Closer Than That (Johannesburg: Dye Hard Press, 2011). Her first collection, published by Harold Pinter, was Assault and the Moth, Greville Press (UK) 1993. This was followed by People Crossing (Snailpress, 1995), Swimming in the Long Dark Sound (Stride, UK, 1998, Painting the Bamboo Tree (Arc, UK, 1999), The Poetry of Norman Corwin and Gail Dendy (Shirim, USA, 2002), and The Lady Missionary (Kwela/Snailpress, 2007). Her poetry regularly appears in journals and anthologies both in SA and overseas.
Throughout the 1980s and early ’90s Gail pioneered Contemporary Dance in South Africa and was nominated for the inaugural AA Vita Award for Best Performer. In her writing career, she was a Finalist in the South African Science Fiction Society’s Short Story competition, 1992; Finalist, Dalro Award 2007, Winner of the “Playwriting” category, SA PEN Millennium Competition, 2000; and Joint Winner of the cash prize for the Herman Charles Bosman Literary Award, 2008. She has also been long-listed for the Plough Prize (UK, 2008), shortlisted for the Thomas Pringle Award for Prose (Category: Short Story), 2010, and shortlisted for the EU/Sol Plaatje Poetry Prize in both 2011 and 2012.

The most recent anthologies to feature Gail Dendy’s work are: Anthony Astbury (ed) A Field of Large Desires (Manchester: Carcanet, 2010; Liesl Jobson (compiler) The Sol Plaatje/European Union Poetry Anthology 2011 (Cape Town: Jacana, 2011), and Patricia Schonstein Pinnock (ed) Africa, My Africa! (African Sun Press, 2013), and Harry Owen (ed) For Rhino in a Shrinking World: An International Anthology (East London, SA: The Poets Printery, 2013).

Over the years Gail has worked, inter alia, as a university lecturer, copywriter, and radio news writer. She is currently the Information Specialist for an international corporate-law firm.

Gail is passionate about environmental- and animal-rights issues. She lives in Johannesburg together with her husband, pets, a law library, and a collection of ballet, dance, classical, and Rock ‘n Roll CDs and DVDs.

Epiphanie Mukasano

Epiphanie Mukusano is originally from Rwanda where she used to be a teacher. She has a Master’s degree in English Literature and now lives as a refugee in Cape Town with her husband and children.

Her poems have been published in Living on the Fence (2007) a collection of writing by women who are refugees from various countries in Africa. Epiphanie contributed When a name is lost to the collection of birth stories Just keep breathing (Jacana, 2008) and Cambridge University Press has published her children’s story Shema and the goat (2009). Epiphanie’s poem comes from her first poetry collection Kilimanjaro on my lap.

Elizabeth “Zaza” Muchemwa

Elizabeth is a dynamic and energetic performance poet, short story writer and theatre director. From 2006 to present day Elizabeth has performed her poetry on various stages and at various events in and out of Harare, Zimbabwe. Elizabeth’s short story Positive Death was published in The Zimbabwe Women Writers’ Magazine in 2006.

She also wrote an article entitled Telling our Stories and Perspectives in early 2010 which was on Pepeta blog and was later on published in a MISA-Zimbabwe Magazine called Women Speak. Her short story Radio Culture Is Dead was short listed in the Intwasa Short story competition for the year 2011.

In march 2008 Elizabeth got an opportunity to be part of the cast for a HIFA-DIRECT production Silent Words and from then on the theatre bug had caught, seeing Elizabeth assisting on a production in 2009 and directing two productions in 2010 namely Just Papers and Wedding Day. In 2011 she also took part in the HIFA-DIRECT program as an assistant director for Colours of Dreams. She went on to co-direct a play Miss Julie in June 2012 and also assist in the direction of The Father as part of the August Strindberg project which is carried out by Global Arts Trust and Complete Arts Project.

Elizabeth believes that it is important to know one self, to accept one’s history, the past and the present in this quest for shaping the future.

Esther Karin Mngodo

Known by her stage name Es Taa, Esther Karin Mngodo is a Tanzanian poet based in Dar Es Salaam. At the age of 10 she was encouraged by her mother to join the choir, which she did. As the youngest member at the time, Es Taa started off as a Saprano and later on as an Alto. She recently discovered her Tenor voice in a band that ahe has been part of since 2006. Not only is the 26 year old a poet and a musician, but a journalist, a storyteller, a playwright, a social worker, a song composer and a woman passionate about her faith in God.

In 2011 she co-wrote a Musical Move: The Time is Now that was staged at The National Museum Theatre in Dar Es Salaam. She recently performed her original poems at The Smart Partnership Dialogue Meeting held in Dar es Salaam that was attended by Commonwealth Heads of States and different dignitaries.

Using her own life experience, Es Taa’s passion is to unearth matters that people would rather not talk about openly, to bring healing through authentic lyrics that have been birthed through her own pain, mistakes and the quest of life’s purpose. She also seeks to use art as a tool of social change by addressing issues of human rights and social justice in a way that people can relate to.

Eric Miyeni

Multi-talented writer, poet, actor, media personality Eric Miyeni’s third and latest offering Mandingo! A Poetic Journey with Eric Miyeni, has been described as honest, raw and compelling. It follows the success of O!Mandingo!, The only black at a dinner party and O!Mandingo! Before Mandela was Mandela, which were launched following the phenomenal response to his e-zine. The work of Soweto-born Miyeni centres on black pride, black strength, black unity and black prosperity.

Efe Paul Azino

Born and raised on the sub-urban streets of Lagos, Efe Paul Azino has evolved a poetry uniquely his own. His poems are welcomed in the realm of academia and acclaimed on the streets.

Widely regarded as one of Nigeria’s leading Spoken Word Poets, Efe Paul has been a headline performer in many of the nation’s premier performance poetry venues, including Anthill 2.0 and Taruwa. For over a decade, Efe has continued to deliver Spoken Word Poetry locally and internationally, gracing platforms at seminars, workshops, conferences, tertiary institutions, community development fora, as well as churches.

Reflecting the sufferings evident in numerous African societies and the hope that keeps them going, Efe Paul’s poems resonate with the high and the low, cutting across social and religious boundaries. His poems are centered on socio-economic and political themes and are enhanced by a strong voice, keeping his audiences entranced for the full length of his performances.

A one-time member of the Editorial Board of The Effective Manager Monthly, pioneer Editor of Mageuzi Magazine and Next Generation, a monthly Newspaper dedicated to raising youth awareness on socio-economic and political issues, Efe Paul is a vital contributor to national discourse and his essays are featured in national and international dailies and journals. A curious student of life, his readings and learning span various disciplines.

The voice of a generation, a seeker and speaker of truth, an entertaining poet and performer, Efe Paul leads a generation of poets in successfully lifting poetry off the printed page, out of the shadows of academia and making it accessible to the people.

Dr Menzi Duka

Dr Menzi Meshach Minsie Duka was born in Cradock on 11th November 1948.

In 1984, Dr Duka completed his first anthology of isiXhosa poetry IBETHO (a song of victory)

In 1996 he established Cradock Writers Association. The Eastern Cape Provincial Arts and Culture Council funded the programmes of this association of which Dr Duka was the leader. Through such funding he produced books such as: Amavo Obuntu (essays), Ubusi (short stories), Imidlalwana Encasa (Three – one – act plays), Isihobe seAfrika Entsha 1 (Anthology of poems), Isihobe seAfrika 2 (Anthology of poems), Iingqwebo Zoluncwadi Lwanamhlanje (analysis of IsiXhosa literature) and Isihobe seAfrika Entsha 3 (An anthology of poems yet to be published).

Some of his poems are in various anthologies such as Intambanane, Umthombo, Vukani Kusile and others.

In 1999, Dr Duka obtained  his Masters Degree with distinction from the  University of South Africa (UNISA). His research was in ZS Qangule’s poetry. Three years later, he obtained a doctorate in Literature and Philosophy from the same university. In his thesis he interpreted and analysed Professor Ncedile Saule’s novels using formalism, structuralism and post – structuralism.

He is the chairperson of Vusubuntu Lodge and Cultural Village (Cradock) and the Cradock Socio-economic transformation Forum in Cradock.  He is also the Senior Pastor of Holy Trinity Ministries and is currently writing Christian books and another anthology of isiXhosa poems.
He also participated in the African Renaissance of South Africa from 2002 to 2010. He was the chairperson of Eastern Cape African Renascence Chapter and a board member of the South African Chapter of African Renaissance. He delivered speeches during some seminars of this movement.

He has also read a paper in the SEK Mqhayi conferenceof 2010. In July 2012 ISER (Rhodes university) summer seminar he also read a paper on the legacy of Matthew Goniwe as well as  many papers on James Arthur Calata and during other occasions organised by the Departments of Arts and Culture. During Grahamstown Wordfest he read some of his IsiXhosa poems and also launched his books.

Currently Dr Duka is an educationist, academic, author of books, community builder and a church leader. He is an inspector of schools, that is, a circuit manager in the Cradock district in the Eastern Cape South Africa.

Dolapo Ogunwale

Oluwadolapo meaning “The Lord has poured (things of) substance together” is an embodiment of her name. Her poetry speaks of her inner experiences, either thought out or lived through. She writes in the hope that her words connect with another’s inner self and begins a deep inner reflection that will cause lasting change from the individual to the entire world.

Dolapo’s spoken word delivery has been described as theatrical and deeply moving. Applying her background in music, dance and stage acting into her live performances, she does not resemble one who only began this genre of artistry in August, 2010.

Born to yoruba parents as Oluwadolapo Ebunoluwapo Ogunwale in the city of Lagos, she hopes to find listening ears and open hearts on the world stage.

Dami Ajayi

Dami Ajayi was born in 1986 in Nigeria and has been penning down poems since he was 11. His debut collection of poems, Clinical Blues, which has notoriously remained in manuscript form, was shortlisted for the 2012 Melita Hume Prize. His poems have appeared in several reputable journals in Africa, Europe and America. Dami is also a medical doctor.

Dumisani Slinger

Dumisani Slinger is a spoken word artist, writer and performer who hails from the dusty streets of KwaZakhele, Port Elizabeth, South Africa.

His love for all things poetic stemmed from his passion for hip-hop. A friend introduced him to the world of poetry & he hasn’t looked back since.

His ferocious delivery and clever wordplay draw the audience in as he continuously drops hard facts on topics ranging from socio-political issues right down to the struggle to know thy self. Like many a writer, his poetry is sometimes inspired by the literature he consumes and also by the toil of life.

He has performed on various stages and platforms in and around PE and has even made an appearance on BayTV. The highlight of his journey in poetry came in 2012 when he was chosen, along with 3 other poets, to facilitate a workshop on Poetry & Creative Writing, which was held at the Red Location Museum during National Book Week.

Using the power of the spoken word, the young man aims to inform, inspire & change perceptions.

D’bi Young

born in kingston jamaica, raised in whitfield town
birthed from the womb of dub
by anita (poets iin unity) stewart
who raised her child
at orality’s hub
storyteller d’bi.young takes performance live
is celebrated by the people on her way
including receiving two doras for blood.claat
first of the sankofa trio of plays
the second and third are benu and word! sound! powah!
onewomban biomyth monodramas
d’bi. is dubpoet, educator, soul-searching wombanist
also aspiring rawfoodist
played staceyann in da kink in my hair
founded anitafrika! dub theatre
recorded six dub disks
with two collections of poetry published
new album set to blossom late 2010
watching her two sons grow
while currently touring the world

Cynthia “Flowchyld” Marangwanda

Cynthia Marangwanda is a Zimbabwean spoken-word poet who identifies herself as a feminist and a creative activist. Her art is rooted in Harare’s vibrant urban culture scene and fueled by the protest sounds of hip-hop and reggae. Her poetry is mainly concerned with themes of identity, emancipation, the deconstruction of oppressive structures, socio-political commentary, individual power, as well as in transformation, all seen through the lens of a twenty-something African feminist.

Cynthia started performing spoken-word in 2008 at Sistaz Open Mic, a show held monthly at the Book Café. She has performed at many other events at the Book Café including the House of Hunger Poetry Slam, 16 Days of Activism Against Gender-Based Violence and the Afro-Slam Poetry Express. Other places she has performed her poetry include the Harare International Festival of the Arts (HIFA), the International Images Film Festival (IIFF), International Women’s Day events as well as appearances in Namibia and Lesotho. Cynthia also co-founded Chimoto! – a platform for fellow emerging performance-artists and urban creative-outreach project in 2010 and she has also worked with Zimbabwe Poets for Human Rights.

croc E moses

Clever fooligan has made all the right mistakes and has self-realised his irrelevance.

Mr. Moses has attempted integrating his infinite personality and has even taken it to the stage! He fancies himself a bit of a nectar connector, talking songist,rhythm driven wordsmith, wordle doodle is heart headed hartist at heart, borderline magician dubious flowtician. For the last 9 nine years croc E moses has been planting word seed. With an activated sense of scooberty this poem ranger has been inciting da in sight, transposing consciousness,returning words to their source.

His works are serious, sensitive, deep, sometimes profound, equally flippant and possibly humorous. He takes many risks in content and in imagination. He draws upon exposure to extremes. His word strings are tasty tangents – His accent, soothing moon root liquorice, sub-dub dollop delicious, treating you to a little bit of everything you like. His performance is mysterious dragonfly capoeira!

Surprisingly and unsurprisingly he has appeared at festivals, conferences, schools, open mics, fund raisers, dinner party’s, exhibition openings and solo gigs mainly in South Africa, but also as far as New York, Dublin, Copenhagen, England, Mozambique, and Swaziland! Highlights include the Support act for Linton Kwesi Johnson, Cape Town, South Africa(2009) Poet On Strike Tour, Southern Africa (2009) Kgotla Youth Conference, South Africa(2009) Bushfire International Arts Festival, Swaziland (2008) Latitude Festival, UK (2007) The Aldeburgh Music Festival Fringe, UK (2007) The Nuyorican Poet’s Cafe, New York City, USA (2003) The Herman Charles Bosman Literary Festival, South Africa (2002) and the Grahamstown National Arts Festival, SOUTH AFRICA (2001).